| 
Technical Information
Studio: Artisan
Home Entertainment
Year of Theatrical Release: 1990
Disc Format: 1
single-sided, Dual Layer
Image Format: Anamorphic
(16x9 enhanced)
Aspect Ratio: 1.85:1
Region Encoding: 1
Sound Format: Dolby
Digital 5.1, Dolby Digital 2.0 (Pro Logic)
Running Time: 113
minutes
Director: Paul
Verhoeven
Stars: Arnold
Schwarzenegger, Sharon Stone, Ronny Cox, Michael Ironside
MPAA Rating: R
Disc Supplements:
- Audio Commentary by director Paul Verhoeven and
Arnold Schwarzenegger.
- "Imagining Total Recall" documentary
- "Visions of Mars" featurette.
- Rekall Virtual Vacations.
- Visual storyboard comparisons.
- Photo gallery
- Production notes
- Cast and crew information
- Theatrical Trailers and TV spots
|
| |
|
I have no reservations in saying that Totall
Recall ranks as one of Arnold Schwarzenegger's best films. Period.
This one is right up there with The Terminator and like that
film, deserves recognition as a great piece of science fiction.
The story opens with Douglas Quaid (Schwarzenegger)
waking from a dream about Mars. We learn that he often has these
dreams. In fact, it could be said that Quaid is obsessed with
Mars and wants to go there. This is upsetting to his wife, Lori
(Sharon Stone), who just wishes Doug would remain safe on Earth.
Quaid isn't listening, however. If he can't
go to Mars, he'll experience the planet somehow. He finds himself
in the offices of a company called Rekall. Rekall has specialized
in the technology of implanting memories as a cheap way for
people to have new experiences. The hook is that you'll remember
whatever you want without having to really experience it.
Quaid is sold on the package and even pays
for a "secret agent" upgrade. For just a little more
money, he won't remember his trip to Mars as just a vacation,
but as a mission to save the planet.
This is where the film takes an interesting
turn. Quaid wakes up in a rage during the middle of the memory
implanation. It seems that by tampering with his memory, Rekall
has somehow blown his cover. He really is a secret agent.
Or is he?
Could this, in fact, be the implanted memory
that we are watching from this point on? The film effectively
plays with our head on this point.
Rekall erases all memory of his trip to their
offices and sends him home in a cab. Unfortunately, the agents
assigned to watch him don't know that Rekall has both blown
and restored his cover. They only assume the worst and intend
to kill Quaid rather than risk a complete failure of the mission.
Quaid manages to defeat and escape from the
other agents and soon he finds himself on a spacecraft landing
on Mars. He learns that Mars is run by Cohaagen (Ronny Cox)
and that he is at war with a group of mutants. The mutants are
a result of shoddy radiation shielding during the early days
of Mars colonization and they resent Cohaagen's treatment of
them, particularly the manner in which he gouges prices for
the basics of life, such as air. In short, they want freedom
and Cohaagen wants oppression. The specific point of contention
in the current struggles revolves around rumored alien artifacts
found in the Martian mines.
Quaid finds himself in the middle of this
war, never knowing who to trust. One minute he views Cohaagen
as his worst enemy, in control of the men who are trying to
kill him, and the next minute it seems that he and Cohaagen
were best friends before Quaid was put undercover. Eventually
one thing seems clear: friend or foe, Cohaagen is using Quaid
to get at the mysterious leader of the mutants, a man named
Kuato. Cohaagen believes that if he can kill Kuato, he can crush
the mutant rebellion.
The brilliance of Total Recall is that throughout
all of this you're continually questioning whether it's all
real. Just as you begin to believe that Quaid really is an undercover
agent, the film tosses in a detail that seems like far more
than a coincidence. For example, after arriving on Mars, Quaid
meets up with a dark-haired member of the mutant forces. They
obviously have a past together and yet she looks exactly like
the "sleezy, demure" brunette that Quaid describes
to the Rekall technicians while tailoring his implant. The film
continues the trickery right up to the very end, with every
event unfolding exactly as the Rekall salesman said they would.
As the credits roll, the question remains:
Was it all supposed to be real, or just a dream? While most
Hollywood films insist on spelling every little detail out for
the audience, this one leaves us guessing.
:::back to
top |
Total Recall was originally released years ago
as a bare bones edition. Artisan has seen fit to deliver what they
call a "special limited edition" and it's something of
a mixed bag in terms of quality. First of all, to get it out of
the way, this version is far better than the original, if for no
other reason than the extra content.
Unfortunately, the picture quality of this new
release leaves a few things to be desired. The best way to describe
it is uneven. At times the colors are vibrant and sharp, while elsewhere
on the disc the image seems dull and in a few cases, the reds actually
bleed (almost unheard of on DVD). The contrast is pretty solid,
with good black levels, but some detail seems to be lost in the
darker areas. The sharpness is OK throughout most of the film, but
some scenes appear downright soft. Dust and grain are present throughout
most of the film, as is some edge enhancement. I didn't notice any
compression artifacts.
:::back to top |
The 5.1 surround mix is significantly
better than the picture. Still, this won't be considered reference
sound quality. When the entire surround stage is enganged, the audio
quality is very good, with nice directional effects and excellent
dynamic range. However, the surround effects don't seem to be used
effectively in every instance that warrants it. I'm sure this is
a better sounding mix than what was originally used for the theatrical
release, but it still lacks some life. The good parts only emphasize
what the bad sections are missing.
:::back to top |
The extras are where this disc really takes
off. First up is a screen specific commentary track by Arnold Schwarzenegger
and Paul Verhoeven. As long as you can get over the accents these
two bring to the table, you're in for a fairly decent track. They
do waste some time reduntantly describing the action on the screen,
but they also manage to offer some interesting tidbits about how
the film was conceived and how these two came to work together (for
instance, they reveal that the original treatment of the script
called for the likes of Richard Dreyfus for the lead role).
Also included is the newly created documentary
called Imagining Total Recall. This featurette runs about a half
hour and doesn't pull any punches regarding the making of the film,
even going into the controversy surrounding the violence in the
film. It takes an in-depth look into the creation of the Oscar winning
special effects and other elements going into the development, including
new and archived interviews with the cast and crew.
Visions of Mars is a five-minute featurette that
takes a scientific look at Mars, included some insight as to our
chances of ever exploring the Red Planet.
The extras don't stop there, however. Artisan
has tossed in visual storyboard comparisons, conceptual art, a photo
gallery and a mini-production booklet. Finally, the standard crop
of trailers, TV spots and cast and crew information.
I should mention something about the packaging,
since Artisan has seen fit to release this in a special tin. As
a professional graphic designer, my first thought about this tin
was that, while very cool, this is an example of a good marketing
idea gone bad. Using special tins as packaging is not new to the
DVD world, but Artisan has fashioned this one to be round (like
a planet, get it?) and textured like the planet Mars, including
the infamous "face." The problem is that the tin is only
slightly larger than the diameter of the DVD. Getting the lid of
is the first trick. Doing so without allowing the disc to slide
off of the foam and clatter on the floor is the second trick. Speaking
of the spongy, protective foam, beware of it as little bits like
to cling to the disc -- you don't want those gumming up your player.
And if that isn't bad enough, you will find the tin difficult to
store at best. Artisan deserves points for trying, but they could
have kept the round Mars motif and still made the packaging more
user friendly.
:::back to top |
Despite the picture and sound quality flaws
and those with the packaging, this release is still a winner over
the previous effort. The story may contain a ton of technical inaccuracies,
but that doesn't stop it from being vastly entertaining. You'll
have to work hard to get through fumbling with the tin, but overall
this release is worth owning.
:::back to top |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Total Recall hasn't been
tagged as being one of the most violent movies of all time for nothing.
Not only is the body count high, but Verhoeven isn't shy about displaying
it onscreen. This is strictly for the older teens and only then if
they are mature enough to handle it. |
|
|
|
|
|
| -- By Robert Wurth. Copyright
© 2003. |
|

|
 |