Sara (Julia Stiles) is a ballet dancer with
aspirations for Juliard. On the day of her big audition, she
wants nothing more than for her mother to be there to lend support.
As it becomes more and more obvious that her mother isn't going
to show up, Sara becomes frustrated and it affects her audition.
What Sara isn't aware of, however, is that
while her mother is rushing to get to the audition, she is involved
in a car accident and killed. When Sara finds out, she is overcome
with guilt and gives up dancing.
To make matters worse, she finds herself living
with her estranged father (Terry Kinney) in his South Side Chicago
apartment. To say that their relationship is strained is to
severely overestimate the word's descriptive abilities.
This is one of many places in the film where
it takes a potential cliché and does something entirely
anti-Hollywood -- it infuses it with real human interaction.
You see, a lesser film would have painted Kinney's character
as an absentee father and then erased him from the film. Instead,
the film allows screen time to show his struggle with the situation.
There isn't a magical third act reconciliation that blind sides
us. We see Sara and her father try to figure out how to accept
each other.
Another place Save The Last Dance could have
taken a wrong step is the situation with Sara's new school.
Being Chicago's South Side, she winds up being one of the few
white students in a predominantly black school. Here's an example
of how the film could have gone wrong: During English class
on Sara's first day, the class is discussing In Cold Blood.
The teacher assumes Sara won't know the material, but she surprises
everyone by speaking up with her opinion, apparently knowing
more than any of her classmates. A lesser movie would have stopped
here, using this scene to prove how much smarter the new white
girl is than all the black students. She would have been accepted
by some and found resentment from others. Instead, we're introduced
to Derek (Sean Patrick Thomas). Derek sees a flaw in Sara's
opinion and sparks a debate. She isn't the only one with a brain.
Sara immediately resents Derek, so naturally
they must eventually fall for each other. Again, the film could
have gone wrong, yet handles it well. Sara's relationship with
Derek is important because he inspires her to deal with her
emotions concerning her mother's death and consider dancing
again.
Unfortunately, for all that the movie gets
right, it does manage to fall flat in a couple of areas. The
obligatory conflict must develop between the budding lovers.
As is the case in many films, this conflict comes across as
slightly contrived and doesn't quite match the intelligence
of the rest of the film.
Still, the film works on most levels and is
an example of solid entertainment. The dance choreography is
fresh and exciting and the acting on all levels plays just right.
Paramount has released this DVD and I've noticed
something about their discs recently. Over the past year, the
studio has been gradually increasing the amount of extra content.
Save The Last Dance is an example of this. It's not listed as
a special edition, and yet it includes an impressive array of
supplements.