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Technical Information

Studio: Columbia TriStar

Year of Theatrical Release: 2002

Disc Format: 1 single-sided, Dual Layer

Image Format: Anamorphic (16x9 enhanced)

Aspect Ratio: 1.85:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1, DTS 5.1

Running Time: 101 minutes

Director: Paul W. S. Anderson

Stars: Milla Jovovich, Michelle Rodriguez, Eric Mabius, James Purefoy

MPAA Rating: R

Disc Supplements:

  • None
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

Resident Evil - Superbit Edition

Resident Evil - Superbit
: : : STORY

If there is one thing less grounded in reality and coherency than Hollywood logic, it's video game logic. When the two are combined, there is the potential for serious trouble.

The thing with video games is that they aren't required to make sense. Whatever story the game cares to create is simply an excuse for blasting the bad guys. Plot holes and absurdities are cheerfully forgiven as long as the virtual dismemberment is above par.

Since films aren't yet interactive, they require more work from the story. This is a point lost on those who brought us the catastrophe that is Resident Evil.

There is a plot, to be sure, but it's about as flimsy as tissue paper and full of more holes than a pasta strainer. The film is set in the future, where the world is practically controlled by the Umbrella Corporation. They have their hands in everything from healthcare, to computers, to genetic engineering.

In one of the corporation's underground labs, a tube containing a deadly virus breaks. This results in a severe lock down in the lab, where not only are all the workers trapped, but they are also killed, presumably so that the virus can't escape.

We then flash to a woman (Milla Jovavich) passed out in a shower. The character is credited with the name Alice, although you would never know that from the film. She is talked at and about frequently, but if anyone ever actually said her name in the film, I missed it.

Alice awakens to discover that she can't remember anything. Before she can really begin to consider this to any great depth, her house is invaded by armed commandos and she is whisked into a train hidden in the basement.

The commandos explain that they are security investigators sent by the Umbrella Corporation to discover why the computer has shut down the lab. This is only one of many, many plot holes in the film. The investigators seem to believe that the computer has malfunctioned, proving that either they or the corporation is amazingly inept if their own security personnel are not versed in lock down protocol.

We're then told that the investigators have one hour to solve the mystery of the lock down before the lab is locked down again. This is exactly the sort of invincibly stupid logic we're dealing with here. To make matters worse, we're told of this one hour time limit very early in the 100 minute running time of the film, creating the unique experience of the film actually showing more than its plot gives time for.

Our group of heroes (are they really heroes? the film never really explains) suffer a setback when most of their number are gruesomely killed by a laser defense system. This, again, raises some questions the film is hoping the audience isn't smart enough to ask. For one, shouldn't these investigators be aware of this laser defense system and come equipped with some means to escape it?

It's at this point that we learn the true nature of the virus. It seems that it is able to reanimate the dead, in effect creating flesh eating zombies. Given that, one wonders why the lab's computer was so quick to kill off all of the employees. You'd think it would have been more desirable for the computer to protect the health of those people at all costs. The movie does make some passing comment about the virus being able to mutate, becoming airborne. But if this is the case, then the virus must be the most intelligent being the film, as it knows not to infect the main characters.

Even more absurd is the late revelation of a cure for the virus. Again, if the computer knows there is a cure (as one is safe in assuming that it would know, as the computer seems to know everything), why does it need to kill off all of the employees. Is it to protect the secret of the virus? Wouldn't it still be a better idea to kill them only AFTER you can be assured they aren't infected?

I could go on and on with the plot holes and inconsistencies, but there's really no point. This is just plain a bad film. When the end finally arrives, it's meant to inspire feelings of dread and horror. The only thing I felt was immense relief that this film was over.

:::back to top

: : : VIDEO

The concept of the Superbit discs is to abandon all extras in favor of leaving maximum room for video and audio compression.

On the one hand, for pure film enthusiasts, this is a great concept, allowing for the best possible picture and sound from a DVD.

On the other, production techniques for DVD are improving almost daily, making each new disc look better than the last. It could be argued that the differences between a "normal" disc and a Superbit disc are likely not going to be noticed except on the most high-end equipment.

Still, having said that, this is still one great looking transfer. The clarity is outstanding, with visual details popping off the screen with nearly three dimensional quality. Colors are vibrant and, as far as I can tell (based on flesh tones), very accurate. Much of the film takes place in dark and murky corridors, but they don't seem to phase this transfer in the slightest. Digital artifacting is nowhere to be seen. The transfer is also free of any dust and scratches. I also didn't notice any evidence of edge enhancement.

I haven't yet taken a look at the non-Superbit version of this disc, so I can't make a direct comparison. However, given that both versions are newer releases, my guess is that most people won't notice a significant increase in quality on the Superbit side. This isn't saying anything against Superbit, as it is a recognition in the overall outstanding quality of most recent discs.

:::back to top

: : : AUDIO

The Superbit treatment may or may not have given a significant edge to the video side, but where the audio is concerned, there is a huge difference.

The Dobly Digital 5.1 mix is, in itself a very aggressive sonic experience, with many surround effects, rumbling bass and clear dialog (for what little of it there is). Surround panning is, for the most part, transparent and smooth.

The DTS track, however, is simply astonishing due to its increased bit rate. The sonic clarity of this track delivers on the Superbit promise.

:::back to top

: : : EXTRAS

The Superbit line specifically omits extras. For that reason, even though the Extra rating below will have no stars, that won't be a consideration in the final, overall rating.

:::back to top

: : : BOTTOM LINE

Despite having a fantastic video transfer and a reference quality DTS track, I can't recommend this film to anyone. There is some potential in the material for an interesting film, but it seems that the filmmakers weren't interested in putting forth the necessary work to create anything coherent. Resident Evil is,quite simply, a waste of time.

:::back to top

: : : MOVIE
   
   
   
   
   
.5 / 5
: : : VIDEO
   
   
   
   
   
4.5 / 5
: : : AUDIO
   
   
   
   
   
4.5 / 5
: : : EXTRAS
   
   
   
   
   
0 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
0 / 5
With scenes of extreme gore, harsh language and some nudity, there is simply nothing here at all for the kids. Keep them far, far away.
: : : OVERALL
   
   
   
   
   
2 / 5

-- By Robert Wurth. Copyright © 2003.


Deranged Video Dude: DVD Reviews and Rants

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