Predator is one of those films that by all
rights should have been a horrific experience. Consider: It
starred Arnold Schwarzenegger during the height of his "bad
action movie" phase; Arnold's co-stars were a group of
B-list, muscle bound stars that included an ex-pro wrestler
and Rocky's villain-turned-saint Apollo Creed; and perhaps most
telling of all, Jean Claude Van Damme stepped down from the
project.
Yep. This thing had stinker written all over
it. So what happened?
For one thing, the film was helmed by John
McTiernan. McTiernan, you might recall, directed the likes of
Die Hard and The Hunt For Red October. Here is a guy who understands
how to effectively pace an action film.
For another, considering that th efilm is
little more than an alien ripping apart a bunch of soldiers,
the script is actually relatively smart (maybe this is the real
reason Van Damme left). These may not be the best actors to
ever heft a machine gun, but they are given well-realized characters
and each soldier's motivations and reactions to the threat is
unique and feels honest.
The story opens with a group of highly specialized
commandos on a mission in Central America to rescue some hostages.
In charge of the unit is Dutch (Schwarzenegger) and he's unhappy
that his unit is forced to bring along CIA operative Dillon
(Carl Weathers) as some sort of special consultant. Dutch and
Dillon have a history and Dutch resents the fact that his former
friend has traded in a machine gun for a pencil.
As the unit marches deeper into the jungle,
it becomes clear that there is something much more going on
than just simple civil unrest and guerrilla in-fighting. They
come across a downed helicopter and the crew inside has been
skinned. When the commandos finally arrive at the guerilla camp
and eliminate the hostiles, they discover that many of the villagers
seem to be terrified of...something. These are people well used
to the horrors of constant butchery, and yet something has them
spooked.
That something is a predator from another
world. It has come to this planet to hunt for trophies and its
prey is human. The creature has the ability to almost perfectly
camoflauge itself in the jungle by refracting light around itself.
It also uses sophisticated thermal imaging and laser-guided
weapons. It soon becomes clear that the unit of crack commandos
is no match for this lone alien.
The clever thing about predator is that it
doesn't tip its hand too early. It begins very much like a conventional,
and likely very boring shoot-em-up fest between Arnold and company
and a group of faceless Central American bad guys. Just as we're
about to become resigned to a numbing fate of mindless gunfights,
the predator shows up and begins to wreak havok. Once the alien
makes is appearance (or rather doesn't appear, as the case may
be), the film never looks back.
For once, here is a film that justifies having
all of the main characters die one by one. This gimmick is almost
never satisfying, but here it makes perfect sense. The predator
is a hunter and for it the skill is in making each kill something
personal. When finally Arnold is the only soldier left, he realizes
that he is severely outclassed by this enemy and he abandons
traditional weaponry in order to fight the creature in a more
savage and ultimately effective manner.
Predator isn't great cinema, but it is a great
movie. It's pure action, smart, brutal and very satisfying.