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Deranged Video Dude: DVD Reviews and Rants

Technical Information

Studio: Fox Home Video

Year of Theatrical Release: 2001

Disc Format: 2 single-sided, Dual Layer

Image Format: Anamorphic (16x9 enhanced)

Aspect Ratio: 2.35:1

Region Encoding: 1

Sound Format: DTS, Dolby Digital 5.1, Dolby Digital 2.0 (Pro Logic)

Running Time: 124 minutes

Director: Tim Burton

Stars: Mark Wahlberg, Helena Bonham Carter, Tim Roth, Michael Clark Duncan

MPAA Rating: PG-13

Disc Supplements:

  • Audio Commentary by Tim Burton.
  • Audio Commentary with isolated score by Danny Elfman.
  • Enhanced Viewing Mode.
  • 6 documentaries.
  • 5 extended scenes.
  • HBO First Look special.
  • Mutli-angle scene feature for four different segments of the film.
  • Rule the Planet remix video.
  • Still and conceptual art gallery.
  • Theatrical trailers and TV spots.
  • DVD-Rom features
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

Planet of the Apes: Special Edition

Planet of the Apes
: : : STORY

When I started thinking about a review for Planet of the Apes, the first thing I realized is that it would be a mistake to compare this effort to the 1968 film. Doing so would be like comparing any of the dozens of film adaptations of Hamlet.

Before anyone starts wondering if I'm really trying to put Planet of the Apes in the same category as Shakespeare, don't worry. What I mean is that Tim Burton's Planet of the Apes is not a remake of the earlier film. Rather, both films share the same source material, Pierre Boulle's novel.

Naturally, some elements will be similar between the two films, but there is enough that is different to justify examining this film without comparison to the earlier version.

The film opens up on a space station. Harking back to the early days of the space program, mankind is once again sending chimps out into space. The station is home to dozens of primates and they are all being trained to pilot small spacecraft. Presumably, the intent is to use them to explore strange new worlds rather than risk human lives. So much for Star Trek.

Very little time is wasted in setting up a crisis. The station encounters an electromagnetic storm that, in fact, turns out to be some sort of wormhole. One of the chimps is sent off to investigate and promptly vanishes. Disobeying orders, Astronaut Leo Davidson (Mark Wahlberg) hops in a pod and flies off on a rescue mission. He quickly loses control within the wormhole and find himself on a crash course toward a strange planet.

Despite coming in like a meteor, through trees and finally crashing into a swampy pond, Leo manages to survive his "landing" only to find himself surrounded by panicked, savage-looking humans who are being chased by an army of apes. These aren't apes as Leo knows them, however. They seem to be intelligent in the way that humans are intelligent. They wear clothes, use tools and speak English.

Leo is captured as a slave and sold to a female chimp named Ari (Helena Bonham Carter). Wasting little time in his new environment, he makes an enemy out of General Thade (Tim Roth) and plotting his escape from the city.

The problem I have with the film is that a great effort is made to set up the ape society and then we hardly get to see it. Leo escapes the city within hours of his capture, so that the bulk of the film is little more than a pursuit through jungle and desert.

The movie manages slightly better than a two-hour running time and yet it doesn't seem like much of anything really happens. We're given some great characters in Ari, Thade, Attar (Michael Clark Duncan), Krull (Cary Tagawa), and Limbo (Paul Giamatti) and yet it seems like the only activity their allowed in the film is preparing for combat. I would have gladly sat through another half hour if it would have allowed for more time spent in the ape city. As it stands now, the film has some great action, but is severely lacking in substance.

Mark Wahlberg, who has put in some great performances in the past, seems to be phoning this one in. His character comes across as a wooden automaton who's only function is to escape ape planet. He barely even reacts when confronted with talking apes. This is acceptable, however, because let's be honest here -- we're really in this for the apes, not Mark Wahlberg.

The makeup work on the apes is nothing short of astonishing. Rick Baker has managed to completely hide the actors underneath the makeup, yet also allow them a full range of emotions. If you've been reading my other reviews, then you know what I special effects junkie I am, so you know that this aspect of the film is going to be appealing to me. This is why I'm a little disappointed that the film doesn't spend more time getting to know the apes.

Tim Burton helmed the film and he's been one of my favorite directors for a long time now. He brings a twisted vision to his films that is a unique breath of fresh air in Hollywood. Unfortunately, Burton seems to be holding himself back here. Missing is the Burton flair. This isn't to say that the directing is poor. In fact, it's rather tight and effective for the material, it's just that it lacks that "something" that usually separates a Burton film from everything else.

Is Planet of the Apes a bad film? No. It is certainly entertaining. However, it is also a missed opportunity. It's just good enough to show us its potential, which is always a shame. I would rather see a film that goes for broke and fails, than one that plays it safe because that first film is going to be interesting even when it doesn't succeed.

While the film turns out to be a slight disappointment, Fox's DVD presentation is anything but. This is the latest in the recent trend of full-blown two-disc special editions in recent weeks and it's one of the better ones.

:::back to top

: : : VIDEO

When it comes to looks, Planet of the Apes is a definite winner. This is a very busy picture, but the compression handles it perfectly. Colors are bright and vibrant, with very natural and realistic flesh tones -- both on the humans and apes. Contrasts are very strong, with deep blacks and yet details remain perfectly sharp and clear. Artifacting is not to be found anywhere on the disc and edge enhancement seems to also be absent.

:::back to top

: : : AUDIO

The audio is presented in both Dolby Digital and DTS. Both tracks offer up impressive dynamic range. The bass levels are strong enough to warrant a serious look at the foundation of your house if you crank the volume up too high. Some nice directional effects are present and the dialogue is clear and centered nicely on the screen. The Dolby Digital and DTS tracks are very similar with perhaps a slight edge going to the DTS track.

I'd go so far as to say that both the audio and video presentations on this disc are worthy of being branded as reference quality.

:::back to top

: : : EXTRAS

There are so many extras on this disc that I'm not sure where to start. A safe place is with the audio commentaries. First up is Tim Burton's effort. It's easy to dismiss a Burton commentary by the simple fact that he often speaks in monotone and his thoughts and comments tend to run on and on and on. Despite his odd style and a slow start, Burton actually does offer up some nice insight into the film and why he was interested in the project. The one area where he seemed to stumble concerns the obvious setup in the film for a sequel. Burton admits to laying the groundwork for continuing the story, explaining that the ending we see isn't a cheat within the context of the film. However, he begins with a strong indication that he isn't interested at all in taking part in the sequel and then seems to back off of that with hints that he does in fact have some notions of where to take the story.

Next up is Danny Elfman's commentary, coupled with an isolated score and sound effects track. Just as Burton is one of my favorite directors, Elfman is one of my favorite composers. More than that, I've been a fan of his from back in his 'Boingo and solo days. I was excited about the prospect of his commentary and for the most part he doesn't let me down. There are plenty of gaps, but this seems intentional in order to allow us to hear some of the score he's discussing. He does a decent job of examining how he goes about scoring a film (which may not be entirely the way most composers go about doing things) and he pulls no punches in describing just what he doesn't like in the world of film scores.

The third feature to run with the film is an Enhanced Viewing Option. Enabling this feature causes short video clips to pop up as the film runs. These contain snippets of interviews with various members of the cast. Small ape icons will also appear from time to time. Hitting "enter" on your remote when these appear will take you out of the film to a behind-the-scenes featurette. When the featurette ends, you're returned to the movie. To me, this sort of extra has always been take it or leave it. I would rather have the interviews and featurettes available on their own.

There is one hidden extra in the form of a look at how the film might have turned out had it been created by a bunch of apes. It's somewhat amusing and not too hard to find, so I won't spoil it any more than that.

That wraps up disc one. Moving on to disc two is where things really start to pick up. A documentary was created that runs about an hour and 45 minutes or so. The disc splits it up into 6 bite-sized chunks and all of them are very well made and highly interesting. Want to know how to act like an ape? "Ape School," the first documentary will teach you everything you need to know. It's not all jumping around and screeching. The simply named "makeup" shows step-by-step the process Rick Baker used to create the awesome ape effects. "Ape Couture" is a look at costuming. Danny Elfman talks more about scoring the film in "Chimp Symphony, op. 37." The difficulties involved in shooting on Lake Powell is explored in "On Location - Lake Powell." Incidentally, this is the same lake where part of the original Planet of the Apes was shot. "Swinging From the Trees" is a brief look at some of the stunt work involved in making the apes look like apes. Finally in this section is "Screen Tests." This is actually series of short featurettes shot during pre-production in order to test various aspects of making the film, from make-up tests, to costuming tests and movement and stunt tests.

The next section is an interactive segment showcasing four sequences of the film and offering multiple angles and audio tracks. More so than the documentaries, this section really gives a feeling of being on the set.

The third section is a series of scenes that don't entirely qualify as deleted scenes. Rather, these are extended scenes. Though these five scenes are brief, they illustrate exactly what I was talking about above when I said that we don't get to see enough of the world the apes inhabit. All of the bits that were cut out add a little more flavor to the ape culture and would have been welcome in the film. It's a shame that they, and more scenes like them, weren't in the final cut.

Section four is devoted to the promotional side of Planet of the Apes. The first feature in this section is the ever-dreaded HBO First Look special. It's not that these First Looks are bad...well, ok, maybe it is. I've just never been able to get in to them and I've yet to see one that actually has anything meaningful to say about the film. They are glorified trailers and that's about it. Still, this one is produced as well as the rest of the supplements, so that puts it ahead of the game. Paul Oakenfield's Rule The Planet remix video is next up and it's pretty ridiculous. I doubt there are many out there who will find a reason to watch or listen to this twice. You'll find no less than ten trailers and TV spots, only two of which aren't for Planet of the Apes. Posters and Press Kits is pretty self explanatory and rounding things off is a fairly meaningless music promo.

On the DVD-Rom side of things are a couple of lengthy samples from both Pierre Boulle's original novel and the novelization of the film. There is also a rather decent script-to-screen viewer and my only complaint about his a very minor one: I really like it when the studios make the script available to those without a DVD-ROM drive.

And finally, the disc ends with a collection of stills from the film. Many of these images are production sketches. Speaking as someone who used to collect film sketchbooks, I always find these sorts of things fascinating, but in all honesty, this may not be a feature that is for everyone. Still, it's nice to have it available.

:::back to top

: : : BOTTOM LINE

So there it is, Planet of the Apes. The film itself held a few minor disappointments for me in that I wanted more substance, but it was still a good action flick. This Fox DVD is probably one of the best out there right now and definitely worth adding to the collection.

:::back to top

: : : MOVIE
   
   
   
   
   
3 / 5
: : : VIDEO
   
   
   
   
   
4.5 / 5
: : : AUDIO
   
   
   
   
   
4.5 / 5
: : : EXTRAS
   
   
   
   
   
4.5 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
2 / 5
This one is OK for the older kids, but with all of the apes flying around and killing each other will likely scare the bejesus out of the little ones.
: : : OVERALL
   
   
   
   
   
4 / 5

-- By Robert Wurth. Copyright © 2003.


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