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Technical Information
Studio: Buena
Vista Home Entertainment
Year of Theatrical Release: 2003
Disc Format: 2
single-sided, Dual Layer
Image Format: Anamorphic
Widescreen
Aspect Ratio: 2.35:1
Region
Encoding: 1
Sound Format: Dolby
Digital 5.1, DTS
Running Time:
143 minutes
Director: Gore
Verbinski
Stars: Johnny
Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley
MPAA Rating: PG-13
Disc
Supplements:
- Audio commentary with director Gore Verbinski
and Johnny Depp
- Audio commentary with writers Ted Elliott, Terry
Rossio, Stuart Beattie and Jay Wolpert
- Partial commentary with Jack Davenport and Keira
Knightley
- Partial commentary with producer Jerry Bruckheimer
- An Epic at Sea: The Making of Pirates of the Caribbean
documentary
- Fly on the Set featurettes
- Diaries featurettes
- Below Decks: An Interactive History of Pirates
featurettes
- Moonlight Seranade Scene Progression featurette
- Pirates in the Park featurette
- 19 Deleted Scenes
- Outtakes
- Image Gallery
- Sneak Peeks
- Moonlight Becomes Ye Effects Studio DVD-ROM content
- Pirates of the Caribbean Attraction Image Gallery DVD-ROM content
- Disneyland Pirates Attraction Virtual Reality Viewer DVD-ROM
content
- Dead Men Tell No Tales: History of the Attraction DVD-ROM content
- Script Scanner DVD-ROM content
- Storyboard Viewer DVD-ROM content
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Let me be blunt. Until the very moment that
I placed this DVD into the player and actualy began to watch
it, I would never have believed that a film based upon a ride
at Disneyland and produced by the same guy who gave us atrocities
such as Pearl Harbor could be anything but dreadfully awful.
It is always a pleasant surprise to have my preconceptions of
a film proved wrong.
Before continuing, let me just say that from
this point forward in this review, I will be calling the film
just "Pirates." This is because the film's title has
more characters in it than the alphabet by almost double.
The story, as one might expect from the novel-length
title, is about pirates and curses. There's also treasure, to
be sure. In a clever twist, the pirates aren't trying to steal
the treasure, but return it. The pirates, you see, already stole
the treasure once and as a result have been cursed. They are
now undead and for all practical purposes, unkillable. Now,
this might seem to be advantageous for a pirate, but the catch
is that they are no longer capable of expediencing anything
of life. Smells, taste, feelings, all of these things are now
lost to them and the only way to literally get their lives back
is to return their treasure.
The last piece of treasure that the pirates
need is in the posession of Elizabeth Swan (Keira Knightley),
who oddly enough stole the gold piece herself from the shipwrecked
son of one of the pirates. The pirates sail their ship, the
Black Pearl, into port and raid Swan's house. They kidnap her,
mistaking her for the daughter of the pirate who originally
stole the coin. Back aboard the Black Pearl, the captain of
the pirates, Barbossa (Geoffrey Rush) explains that not only
must the treasure be return to the chest from which it was taken,
but the thief must also sacrifice their blood. Only then will
the curse be lifted.
Meanwhile, the boy, Will Turner, who is the
real pirate son, carries a torch for young miss Swan and sees
her kidnapping as a means to prove himself by rescuing her.
Turner enlists the help of notorious pirate Jack Sparrow (Johnny
Depp) and sets out after the pirates. Sparrow has agreed to
help only because he is the former captain of the Black Pearl
and he wants his ship back.
Are you following all of this?
To sum it all up, the pirates must return
their treasure, the girl must be rescued and the "good"
pirate must get his ship back. That part is simple enough, but
what makes this film so interesting is that every character
is given their own motivations and they don't feel like simple
plot mechanics to advance the story. For instance, a lesser
film might have turned the Jack Sparrow into a hero. Certainly
he does things in the film that might be considered selfless,
or even heroic, but it's all in pursuit of getting his ship
back. There is a real sense that if the ship were removed from
the equation, Sparrow would would be gone with the next stiff
head wind.
The film also does a decent job of giving
the female character something to do. Too many films suffer
from the damsel in distress syndrome and only allow the woman
to be smart enough to get herself into trouble. Here, however,
Swan is an integral part of the action. During one key sea battle,
it is she who takes charge in the attack against the pirates.
I would probably be remiss in my duties as
a reviewer if I didn't say something about Johnny Depp's performance.
Much has already been written, by reveiwers with far greater
stature than I, but it bears repeating that he creates something
magical in this film. The character of Jack Sparrow is certainly
one of the most unique film creations I've ever seen. What makes
this character work so well is that the rest of us may see him
as strange and eccentric, but his behaviour is perfectly reasonable
to himself. A wink or a nod would have ruined it. Instead, Depp
dives in and plays the part as if the film were called The Adventures
of Jack Sparrow, which is probably exactly the level of self
importance that the character would appreciate.
If there are any flaws at all, it's that the
film is just too long for its own good. Characters are captured
and rescued, captured and rescued so many times that it almost
becomes farce. We're also given several endings when one would
do. Trim 20 to 30 minutes off of this film and we'd be talking
about something really great.
However, even if it does stick around a little
too long, Pirates is still great fun and several times better
than I ever would have guessed. They even managed to work in
elements from the ride without being overly blatant or cheesy.
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top |
This transfer has some good elements,
but enough bad one features to be frustrating and irritating. The
biggest problem I saw was edge enhancement. I won't say that this
is the worst instance of it I've ever see, but this film has several
unique elements to it that make the problem stand out all the more.
Particularly, I'm talking about all of the rigging in the ships.
At times, the edge halos are severe enough to make the mess of ropes
appear to be just a jumbled, digital mess.
On a positive note, the film boasts
beautiful colors, decent contrasts and is otherwise free of digital
defects. Even the frequent use of atmospheric fog and lighting tricks
don't seem to throw this transfer off its stride. If it weren't
for that edge enhancement, this might have really been a transfer
to gush over.
:::back to top |
The sound on this disc remains
a little more within front sound stage than perhaps one might expect
from a film set on the open sea, but even so, this is a great sounding
disc. Included are both a Dolby Digital and a DTS mix and both are
quite good. When the surrounds are engaged, panning across the sound
stage is smooth and seemless. Both the Dolby Digtial and the DTS
tracks offer up wide dynamic rage and deep, aggressive bass that
is sure to shiver your timbers (I deserve any hate mail I get for
that one, but I couldn't resist).
:::back to top |
Often these 2-disc sets seem as
bloated driftwood lost at sea, but Disney has actually put together
a package that is worthy of the monicer "special edition."
The producers made some choices for
the extra content on disc one that I wholeheartedly approve of.
There are multiple commentary tracks here, but not all of them are
feature length and I'll explain that in a moment.
First up is the commentary
track by Gore Verbinski and Johnny Depp and it runs the
entire length of the film. This is by far the most mellow of the
tracks and may not appeal to everyone. Still, for how soft-spoken
it is, there is actually some good information to be had here. There
is an assumption that Depp is only interested in "meaningful"
films, but he genuinely seemed to have a good time making Pirates
(and who wouldn't with a character like that?).
The second feature-length
track, and by far the best of the bunch, features writers
Ted Elliott, Terry Rossio. Stuart Beattie and Jay Wolpert. I might
even go so far as to say that this is one of the best commentary
tracks I've heard all year. These guys do a nearly perfect job of
talking about the film, the creative process and even offering up
their insights into the characters and motivations (particularly
funny is the comparison between Jack Sparrow and certain Warner
Bros. cartoon characters). If you've never really paid much attention
to commentrary tracks and wanted to know what the fuss is all about,
this is a good one to start with.
The next two tracks are not full
length tracks and this could have been very, very bad. There is
nothing worse than sitting through a half hour of film waiting for
the next outburst of commentary. To avoid this, there is the option
to play only the portions of the film that contain comments. It's
a little jarring to jump from scene to scene, but after experience
it, I think I'm now a fan and I hope more studios will adopt this
for those less-than-full commentaries.
The first partial track is
by producer Jerry Bruckheimer and all told he probably
doesn't offer up much more than 20 minutes worth of comments, but
what he does have to say is actually pretty decent. He talks quite
a bit about casting choices (particularly nailing down Johnny Depp)
and production considerations. None of his comments are all that
in-depth, but the mere fact that you don't have to sit through the
entire film to hear his morsels more than makes up for a lack of
substance.
The final track,
also a partial, one features Keira Knightley and Jack Davenport.
I have to say that I really respect these two as actors (Knightley,
particularly, has one hell of a career ahead of her), but this commentary
track is about the most useless thing I've ever heard. The two spend
all of their time shamelessly flirting with one another and drooling
over their own appearances on screen. Do yourself a favor and don't
even bother with this one.
Moving on to disc 2, the extras just
get better. Kicking things off is An Epic At Sea: The Making
of Pirates of the Caribbean. This clocks in at a bit over
a half hour and despite the occasional EPK lapses, it's really a
pretty good documentary.
The next several bits are divided
in to two sections, Fly On the Set and Diaries,
which are further segmented out. Each runs 20 or so minutes and
are much like home movies, featuring digital video footage of the
production, including samples of actual scenes being filmed. If
you're interested at all in taking part in the film making experience,
this may be as close as you can get without actually being on the
set.
Below Decks: An Interactive
History of Pirates is Disney's attempt to educate us about
the real lives of pirates and this turns out to be an entertaining
piece. Navigating around a pirate ship will lead you to various
vignettes about pirate history, often featuring interviews with
pirate historians.
Pirates in the Park
runs about 18 minutes and features excerpts from the Disney archives
of old Walt himself talking about the ride.
Pirates has some really spectacular
special effects and Moonlight Seranade Scene Progession
highlights one of the film's key sequences. Industrial Light and
Magic really out-did themselves in creating the undead pirates and
this featurette takes a fun look at their creation.
Rounding up the "normal"
content are 19 deleted scenes (if the film weren't
long enough, it could have been even longer) and are really non-funny
outtakes. I've seen dozens of outtake bits on discs
and they almost never live up to expectations. I have a really hard
time believing that this is the funniest stuff they could come up
with. Also included is an image gallery and sneak
peek trailers (but no trailers whatsoever for Pirates).
For the rest of the extras, you'll
have to pop the disc in your PC. The Moonlight Becomes Ye
Effects Studio is similar to a feature found on other discs
(particularly Terminator 3). The concept is that you take a photo
(presumably of yourself) and alter it with undead skeleton effects.
It's fun, but gets old really quickly. The Disneyland Pirates
Attraction Virtual Reality Viewer, Pirates of the
Caribbean Attraction Image Gallery and Dead Men
Tell No Tales: The History of the Attraction offer up even
more about the famous theme park ride. And finishing things up is
a storyboard viewer and a script scanner.
:::back to top |
I was reasonably impressed by this film. No,
it wasn't great cinematic art, but I don't expect every film to
be. Often it's enough that it simply be an enjoyable experience
and Pirates is certainly that. This DVD also benefits from having
a really decent array of extra features, making this set a true
value.
:::back to top |
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| Pirates of the Caribbean
may be a little too intense for some members of the family, but most
of the kids should be able to handle it without any problem. As our
6-year old put it, she thought the skeletons would be scary, but they
weren't at all. So there you have it. |
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| -- By Robert Wurth. Copyright
© 2003. |
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