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Technical Information

Studio: Buena Vista Home Entertainment

Year of Theatrical Release: 2003

Disc Format: 2 single-sided, Dual Layer

Image Format: Anamorphic Widescreen

Aspect Ratio: 2.35:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1, DTS

Running Time: 143 minutes

Director: Gore Verbinski

Stars: Johnny Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley

MPAA Rating: PG-13

Disc Supplements:

  • Audio commentary with director Gore Verbinski and Johnny Depp
  • Audio commentary with writers Ted Elliott, Terry Rossio, Stuart Beattie and Jay Wolpert
  • Partial commentary with Jack Davenport and Keira Knightley
  • Partial commentary with producer Jerry Bruckheimer
  • An Epic at Sea: The Making of Pirates of the Caribbean documentary
  • Fly on the Set featurettes
  • Diaries featurettes
  • Below Decks: An Interactive History of Pirates featurettes
  • Moonlight Seranade Scene Progression featurette
  • Pirates in the Park featurette
  • 19 Deleted Scenes
  • Outtakes
  • Image Gallery
  • Sneak Peeks
  • Moonlight Becomes Ye Effects Studio DVD-ROM content
  • Pirates of the Caribbean Attraction Image Gallery DVD-ROM content
  • Disneyland Pirates Attraction Virtual Reality Viewer DVD-ROM content
  • Dead Men Tell No Tales: History of the Attraction DVD-ROM content
  • Script Scanner DVD-ROM content
  • Storyboard Viewer DVD-ROM content
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

DVD Review:
Pirates of the Caribbean: The Curse of the Black Pearl

Pirates of the Caribbean: The Curse of the Black Pearl
: : : STORY

Let me be blunt. Until the very moment that I placed this DVD into the player and actualy began to watch it, I would never have believed that a film based upon a ride at Disneyland and produced by the same guy who gave us atrocities such as Pearl Harbor could be anything but dreadfully awful. It is always a pleasant surprise to have my preconceptions of a film proved wrong.

Before continuing, let me just say that from this point forward in this review, I will be calling the film just "Pirates." This is because the film's title has more characters in it than the alphabet by almost double.

The story, as one might expect from the novel-length title, is about pirates and curses. There's also treasure, to be sure. In a clever twist, the pirates aren't trying to steal the treasure, but return it. The pirates, you see, already stole the treasure once and as a result have been cursed. They are now undead and for all practical purposes, unkillable. Now, this might seem to be advantageous for a pirate, but the catch is that they are no longer capable of expediencing anything of life. Smells, taste, feelings, all of these things are now lost to them and the only way to literally get their lives back is to return their treasure.

The last piece of treasure that the pirates need is in the posession of Elizabeth Swan (Keira Knightley), who oddly enough stole the gold piece herself from the shipwrecked son of one of the pirates. The pirates sail their ship, the Black Pearl, into port and raid Swan's house. They kidnap her, mistaking her for the daughter of the pirate who originally stole the coin. Back aboard the Black Pearl, the captain of the pirates, Barbossa (Geoffrey Rush) explains that not only must the treasure be return to the chest from which it was taken, but the thief must also sacrifice their blood. Only then will the curse be lifted.

Meanwhile, the boy, Will Turner, who is the real pirate son, carries a torch for young miss Swan and sees her kidnapping as a means to prove himself by rescuing her. Turner enlists the help of notorious pirate Jack Sparrow (Johnny Depp) and sets out after the pirates. Sparrow has agreed to help only because he is the former captain of the Black Pearl and he wants his ship back.

Are you following all of this?

To sum it all up, the pirates must return their treasure, the girl must be rescued and the "good" pirate must get his ship back. That part is simple enough, but what makes this film so interesting is that every character is given their own motivations and they don't feel like simple plot mechanics to advance the story. For instance, a lesser film might have turned the Jack Sparrow into a hero. Certainly he does things in the film that might be considered selfless, or even heroic, but it's all in pursuit of getting his ship back. There is a real sense that if the ship were removed from the equation, Sparrow would would be gone with the next stiff head wind.

The film also does a decent job of giving the female character something to do. Too many films suffer from the damsel in distress syndrome and only allow the woman to be smart enough to get herself into trouble. Here, however, Swan is an integral part of the action. During one key sea battle, it is she who takes charge in the attack against the pirates.

I would probably be remiss in my duties as a reviewer if I didn't say something about Johnny Depp's performance. Much has already been written, by reveiwers with far greater stature than I, but it bears repeating that he creates something magical in this film. The character of Jack Sparrow is certainly one of the most unique film creations I've ever seen. What makes this character work so well is that the rest of us may see him as strange and eccentric, but his behaviour is perfectly reasonable to himself. A wink or a nod would have ruined it. Instead, Depp dives in and plays the part as if the film were called The Adventures of Jack Sparrow, which is probably exactly the level of self importance that the character would appreciate.

If there are any flaws at all, it's that the film is just too long for its own good. Characters are captured and rescued, captured and rescued so many times that it almost becomes farce. We're also given several endings when one would do. Trim 20 to 30 minutes off of this film and we'd be talking about something really great.

However, even if it does stick around a little too long, Pirates is still great fun and several times better than I ever would have guessed. They even managed to work in elements from the ride without being overly blatant or cheesy.

:::back to top

: : : VIDEO

This transfer has some good elements, but enough bad one features to be frustrating and irritating. The biggest problem I saw was edge enhancement. I won't say that this is the worst instance of it I've ever see, but this film has several unique elements to it that make the problem stand out all the more. Particularly, I'm talking about all of the rigging in the ships. At times, the edge halos are severe enough to make the mess of ropes appear to be just a jumbled, digital mess.

On a positive note, the film boasts beautiful colors, decent contrasts and is otherwise free of digital defects. Even the frequent use of atmospheric fog and lighting tricks don't seem to throw this transfer off its stride. If it weren't for that edge enhancement, this might have really been a transfer to gush over.

:::back to top

: : : AUDIO

The sound on this disc remains a little more within front sound stage than perhaps one might expect from a film set on the open sea, but even so, this is a great sounding disc. Included are both a Dolby Digital and a DTS mix and both are quite good. When the surrounds are engaged, panning across the sound stage is smooth and seemless. Both the Dolby Digtial and the DTS tracks offer up wide dynamic rage and deep, aggressive bass that is sure to shiver your timbers (I deserve any hate mail I get for that one, but I couldn't resist).

:::back to top

: : : EXTRAS

Often these 2-disc sets seem as bloated driftwood lost at sea, but Disney has actually put together a package that is worthy of the monicer "special edition."

The producers made some choices for the extra content on disc one that I wholeheartedly approve of. There are multiple commentary tracks here, but not all of them are feature length and I'll explain that in a moment.

First up is the commentary track by Gore Verbinski and Johnny Depp and it runs the entire length of the film. This is by far the most mellow of the tracks and may not appeal to everyone. Still, for how soft-spoken it is, there is actually some good information to be had here. There is an assumption that Depp is only interested in "meaningful" films, but he genuinely seemed to have a good time making Pirates (and who wouldn't with a character like that?).

The second feature-length track, and by far the best of the bunch, features writers Ted Elliott, Terry Rossio. Stuart Beattie and Jay Wolpert. I might even go so far as to say that this is one of the best commentary tracks I've heard all year. These guys do a nearly perfect job of talking about the film, the creative process and even offering up their insights into the characters and motivations (particularly funny is the comparison between Jack Sparrow and certain Warner Bros. cartoon characters). If you've never really paid much attention to commentrary tracks and wanted to know what the fuss is all about, this is a good one to start with.

The next two tracks are not full length tracks and this could have been very, very bad. There is nothing worse than sitting through a half hour of film waiting for the next outburst of commentary. To avoid this, there is the option to play only the portions of the film that contain comments. It's a little jarring to jump from scene to scene, but after experience it, I think I'm now a fan and I hope more studios will adopt this for those less-than-full commentaries.

The first partial track is by producer Jerry Bruckheimer and all told he probably doesn't offer up much more than 20 minutes worth of comments, but what he does have to say is actually pretty decent. He talks quite a bit about casting choices (particularly nailing down Johnny Depp) and production considerations. None of his comments are all that in-depth, but the mere fact that you don't have to sit through the entire film to hear his morsels more than makes up for a lack of substance.

The final track, also a partial, one features Keira Knightley and Jack Davenport. I have to say that I really respect these two as actors (Knightley, particularly, has one hell of a career ahead of her), but this commentary track is about the most useless thing I've ever heard. The two spend all of their time shamelessly flirting with one another and drooling over their own appearances on screen. Do yourself a favor and don't even bother with this one.

Moving on to disc 2, the extras just get better. Kicking things off is An Epic At Sea: The Making of Pirates of the Caribbean. This clocks in at a bit over a half hour and despite the occasional EPK lapses, it's really a pretty good documentary.

The next several bits are divided in to two sections, Fly On the Set and Diaries, which are further segmented out. Each runs 20 or so minutes and are much like home movies, featuring digital video footage of the production, including samples of actual scenes being filmed. If you're interested at all in taking part in the film making experience, this may be as close as you can get without actually being on the set.

Below Decks: An Interactive History of Pirates is Disney's attempt to educate us about the real lives of pirates and this turns out to be an entertaining piece. Navigating around a pirate ship will lead you to various vignettes about pirate history, often featuring interviews with pirate historians.

Pirates in the Park runs about 18 minutes and features excerpts from the Disney archives of old Walt himself talking about the ride.

Pirates has some really spectacular special effects and Moonlight Seranade Scene Progession highlights one of the film's key sequences. Industrial Light and Magic really out-did themselves in creating the undead pirates and this featurette takes a fun look at their creation.

Rounding up the "normal" content are 19 deleted scenes (if the film weren't long enough, it could have been even longer) and are really non-funny outtakes. I've seen dozens of outtake bits on discs and they almost never live up to expectations. I have a really hard time believing that this is the funniest stuff they could come up with. Also included is an image gallery and sneak peek trailers (but no trailers whatsoever for Pirates).

For the rest of the extras, you'll have to pop the disc in your PC. The Moonlight Becomes Ye Effects Studio is similar to a feature found on other discs (particularly Terminator 3). The concept is that you take a photo (presumably of yourself) and alter it with undead skeleton effects. It's fun, but gets old really quickly. The Disneyland Pirates Attraction Virtual Reality Viewer, Pirates of the Caribbean Attraction Image Gallery and Dead Men Tell No Tales: The History of the Attraction offer up even more about the famous theme park ride. And finishing things up is a storyboard viewer and a script scanner.

:::back to top

: : : BOTTOM LINE

I was reasonably impressed by this film. No, it wasn't great cinematic art, but I don't expect every film to be. Often it's enough that it simply be an enjoyable experience and Pirates is certainly that. This DVD also benefits from having a really decent array of extra features, making this set a true value.

:::back to top

: : : MOVIE
   
   
   
   
   
4 / 5
: : : VIDEO
   
   
   
   
   
3.5 / 5
: : : AUDIO
   
   
   
   
   
4 / 5
: : : EXTRAS
   
   
   
   
   
5 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
3 / 5
Pirates of the Caribbean may be a little too intense for some members of the family, but most of the kids should be able to handle it without any problem. As our 6-year old put it, she thought the skeletons would be scary, but they weren't at all. So there you have it.
: : : OVERALL
   
   
   
   
   
4 / 5

-- By Robert Wurth. Copyright © 2003.


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