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Deranged Video Dude: DVD Reviews and Rants

Technical Information

Studio: Columbia Tristar Home Video

Year of Theatrical Release: 2000

Disc Format: 1 single-sided, Dual Layer

Image Format: Anamorphic (16x9 enhanced)

Aspect Ratio: 1.85:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1, Dolby Digital 2.0 (Pro Logic)

Running Time: 113 minutes

Director: Paul Verhoeven

Stars: Kevin Bacon, Elisabeth Shue, Josh Brolin

MPAA Rating: R

Disc Supplements:

  • Commentary track by director Paul Verhoeven, Kevin Bacon and writer Andrew W. Marlow
  • Isolated music score with commentary by composer Jerry Goldsmith
  • HBO First Look: Anatomy of a Thriller featurette.
  • Three deleted scenes with commentary by Paul Verhoeven.
  • "Fleshing Out The Hollow Man" collection of 15 featurettes
  • Visual effect picture-in-picture comparison.
  • Talent files
  • Theatrical trailer
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

Hollow Man

Hollow Man
: : : STORY

Hollow Man is something like a spinning top. It starts out with a ton of energy and the potential to go just about anywhere. As the top continues to spin, it loses energy and its path becomes more predictable. Finally, the top is wobbling so badly as it tries to keep itself upright that you're tempted just to reach out and stop it for mercy's sake.

The film comes out of the gate with some really astonishing stuff. We get to see an invisible gorilla become visible from the inside out. We get to see a man turn invisible from the outside in. In fact, these effects are so cool that they distract from the plot - who cares about why they are doing it, just show us more of it. Perhaps that was the point.

Here's what I gathered between shots of half-visible creatures: The government is funding a research group so that they can figure out how to turn invisibility on and off in a human being. Presumably, their intent is to use this technology in the military or for espionage. My question is why? By the very nature of the process, anyone invisible would have to be naked and therefore very limited to the environments they can enter. Not only that, but the movie then goes to show us how many ingenious ways one can come up with to detect an invisible man.

At the movie's open, the process of becoming invisible seems to have been perfected. It's returning to visibility that's tricky. They tried to explain why one is more difficult than the other, but I wasn't sold. The scientists finally solve the problem and successfully bring back an invisible gorilla. When it comes time to report this to the government sponsors, the lead scientist in the project, Sebastian Caine(played by Kevin Bacon), lies and tells them they still can't figure out how to bring the gorilla back. His motive seems to be little more than an unwillingness to let the top stop spinning.

Naturally, the next step is for him to test the invisibility on himself. It's here that we learn why many of the test animals reacted badly to being invisible. Imagine closing your eyes to go to sleep and not being able to tell the difference - your eyelids are invisible (which leaves me wondering: If the visible spectrum of light is passing through your body, making you invisible, wouldn't logic follow that you wouldn't be able to see anything at all?). It's here that the movie ends all pretenses of something interesting as our invisible man goes mad, becomes a rapist and starts murdering his co-workers.

Sebastain Caine's transformation to a mad killer might have been more effective if the character hadn't been made fairly unlikable in the first place. In essense, the film denies Caine any real motive, thus reducing him to the same level as Jason Voorhees or Freddie Kruger. It's here that our spinning top faulters and we see that the invisibility is simply a gimmick used to create some cheap thrills.

For a movie to start out so promising and degenerate so quickly is almost a crime. By the halfway mark, Hollow Man is nearly unwatchable and by the end, I had thoroughly regretted putting in the disc.

:::back to top

: : : VIDEO

Columbia Tristar has a reputation of not disappointing when it comes to the quality of their DVDs. This one is no exception. The picture quality is outstanding and tackles the many scenes filled with smoke, haze and water without a hint of artifacting.

:::back to top

: : : AUDIO

The surround mix is also well done. At times, our only clue to the position of the invisible man on the screen is the position of his voice and the surround mix handles this well.

:::back to top

: : : EXTRAS

This disc actually has a pretty decent array of extras. There's a director's commentary that also features comments by Kevin Bacon and Andrew W. Marlow. I've always liked Paul Verhoeven's commentaries because, if nothing else, he's always very animated and excited about his projects. This commentary actually works very well as Bacon is continually asking technical questions that Verhoeven seems only too happy to answer. Also included is a track by score composer Jerry Goldsmith as well as a music only track.

There are multiple featurettes on the disc. The longest, Anatomy of a Thriller, is essentially the HBO First Look feature and therefore more press fluff than actual information about the movie. There is a section called Fleshing out the Hollow Man that contains about 15 individual featurettes that each focus on a specific special effects element in the film. Also included picture-in-picture section about the visual effects, talent files, theatrical trailers (that includes a very cool preview of the upcoming Final Fantasy movie) and three deleted scenes.

:::back to top

: : : BOTTOM LINE

If this disc featured only the movie, I'd recommend avoiding it like the plague. However, it is redeemed somewhat by some very cool and well-done extras. I don't know that you'd want to add it to your collection, but it's at least worth a rental for all of the content.

:::back to top

: : : MOVIE
   
   
   
   
   
1.5 / 5
: : : VIDEO
   
   
   
   
   
4 / 5
: : : AUDIO
   
   
   
   
   
4 / 5
: : : EXTRAS
   
   
   
   
   
4 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
.5 / 5
Most of Verhoeven's work contains enough sex and violence to justify keeping away the youngsters. This one is made further undesireable by a bad plot.
: : : OVERALL
   
   
   
   
   
2.5 / 5

-- By Robert Wurth. Copyright © 2003.


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