Before I get to the meat of this review, I'd
like to reflect for a moment on what a great time this is for
movies, and more specifically, for people who love movies. Now,
some may argue that Hollywood hasn't produced a truly decent
film in years, and there may well be something to that, but
that doesn't matter. We have DVD.
DVD has finally reached such a level of importance
in the industry that studios are finally working on bringing
important films to the format. This year, and this season in
particular, has seen some of the best Hollywood has to offer
arrive remastered on DVD to look and sound better than ever.
One of the most recent set of films to get the treatment is
the Godfather trilogy.
So influential are the Godfather films that
in movie making terminology, "The Godfather" is synonymous
with "epic storytelling." If you have never seen the
films, I can guarantee that they will still seem familiar to
you if only because most of the scenes are infamous in film
lore (for instance, who isn't aware of the fate of the
movie exec's beloved racehorse?). Beyond that, the films that
freely borrow or blatantly rip off from The Godfather are simply
too numerous to list. We're talking about the film that made
"I'll make him an offer he can't refuse" a household
phrase.
The Godfather begins the tale of the Corleone
family. The film opens in 1945 with Don Vito Corleone (Marlon
Brando) in charge of the family and taking requests on the day
of his daughter's wedding. It is said that he can refuse no
requests on this day and people are coming out of the woodwork
to ask favors.
Meanwhile, Don Corleone's youngest son, Michael
(Al Pacino) has just returned as a war hero from service in
the Marines. He's explaining his family to his girlfriend, Kay
(Diane Keaton), and that he wants nothing to do with that life.
Michael's outlook changes drastically when
Don Corleone is shot by a rival family. As the Godfather barely
clings to life in a hospital bed, Michael visits and thwarts
another assassination attempt. He vows vengeance and declares
that he personally will be the trigger man. With cold determination,
Michael murders the head of the opposing family and a police
chief who cleared the way for a second attempt at Don Corleone's
life. For his protection, Michael is sent to Sicily and placed
into hiding, where he meets a beautiful local girl. Forgetting
about Kay back home, who is left wondering what happened to
her boyfriend, Michael marries the Sicilian woman.
Back in New York, the Corleone's are engaged
in an increasingly violent war between families. Eventually,
a rival family member discovers Michael's location and sends
a hitman in the form of Michael's supposedly trusted bodyguard.
The attempt on Michael's life fails, but the damage the hitman
does inspires Michael to return to New York, again with vengeance
on his mind.
The underlying story of The Godfather is the
transfer of power from Don Vito Corleone to Michael. Much has
been said about Marlon Brando's performance as the Godfather
and it is great, but this is really Al Pacino's show. His performance
is critical because he is the one who brings us into the story.
Michael starts out young, naive and idealistic. Like the audience,
he may be aware of what the family does, but he isn't a part
of it. As the family pulls him in, we are allowed to go along
for the ride. Without Michael, or more to the point, without
Pacino's performance of Michael, we would have remained outsiders
throughout the film and its emotional impact would have been
severely diminished.