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Technical Information
Studio: Buena
Vista Home Entertainment
Year of Theatrical Release: 2003
Disc Format: 1
single-sided, Dual Layer
Image Format: Anamorphic
Widescreen and full frame
Aspect Ratio: 2.35:1and
4:3
Region
Encoding: 1
Sound
Format: Dolby
Digital 5.1, Dolby Digital 2.0 (pro logic)
Running Time:
97 minutes
Director: Mark
Waters
Stars: Jamie
Lee Curtis, Lindsay Lohan, Mark Harmon, Harold Gould
MPAA Rating: PG
Disc
Supplements:
- Backstage Pass With Lindsay Lohan featurette
- Deleted Scene
- Three Alternate Endings
- Lillix "What I Like About You" music
video
- Halo Friendlies "Man Vs. The World"
music video
- Freaky Bloopers
- Sneak Peeks
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There seems to be a tradition in Hollywood
that every 5 to 10 years they pull the body switching genre
out of the garage, gas it up and see what sort of mileage they
can get out of it. Often, the films simply stall right in the
driveway.
So it came as a considerable surprise to me
that this third remake of Freaky Friday (once before on film
and once on television) turned out to be one damn fine decent
film. The best body switch movie ever made only involved one
body and featured Tom Hanks. That was, of course, Big and it
will forever remain the lofty example of perfection for this
genre. I bring this up because I feel that this version of Freaky
Friday runs a close second.
The interesting thing is that this version
stays true to its roots, but unlike many remakes it actually
takes the story in a fresh, new direction. The original 1976
version reflected the innocence of its times. When the daughter
becomes her mother, the trickiest thing she has to deal with
is an overactive washing machine. Hilarity ensues, but the story
is pretty tame.
Now times have changed. Moms no longer stay
at home. They have their own careers in addition to running
the family. Kids have more pressure as well, facing issues that
are often far more adult than their young minds can handle.
I'd venture to guess that Annabel and Ellen from the original
film would simple explode from the stress if they suddenly found
themselves inhabiting the remake. In this new film, when young
Annabell Coleman (Lindsay Lohan) finds herself in her mother's
body, she doesn't have the luxury of hiding in the house and
fending off evil washing machines. And when her mother, Tess
(Jamie Lee Curtis), suddenly finds herself in her daughter's
body, she discovers that with college prep exams, band auditions,
boy crushes and teachers with vendettas, that school isn't as
easy as it used to be.
The joy in this film lies within the writing
and acting. Let's face it, we've seen the movies and we know
how it will ultimately turn out. The end isn't in question,
so it's the journey that must entice us. There are a few plot
holes to be sure (how would Tess know her daughter's schedule
or, for that matter, her locker combination?), but they are
minor and don't derail the film. For the most part the writing
is crisp, smart and very witty. I honestly did not expect to
laugh at this film (at least not in a positive way), but there
were a couple of scenes that had me rolling. And to say that
Jamie Lee Curtis and Lindsay Lohan nailed the performances would
be a serious understatement. Curtis is a capable performer and
she's proven her talent for comedy, but newcomier Lohan more
than holds her own. This girl has star written all over her.
Now, I've been coughing up quite a bit of
praise here, so one might get the impression that I'm placing
a little more importance on this film than it might deserve.
Let me just clarify by saying that this is a harmless movie.
We aren't talking about awards material here, but we are talking
about entertainment. Freaky Friday works perfectly for what
it is and that is a nice piece of family entertainment.
:::back to
top |
This is by far a much better transfer
than I would have expected. Colors are very bright and saturated.
Contrasts are very strong and black levels are suitably deep with
nice shadow detail. I didn't notice much in the way of edge enhancement
and only very minor compression problems. The disc includes both
a widescreen and a full frame version, which hurts the quality a
bit, but not enough for the film's target audience to notice.
:::back to top |
The surprises just keep on coming.
This film could have gotten by just fine with a front-heavy, so-so
audio mix, but instead it offers up much more. The film actually
makes some really impressive use of the entire sound stage, particularly
during the body switching scenes. Overall dynamic range is very
strong and the bass levels are satisfyingly strong. This isn't reference
quality, but it far surpasses anything I would have expected.
:::back to top |
This disc really doesn't offer
up much in the way of extras, but there seems to have been a real
effort to insert some quality into what is here.
First up is a nice little 15 minute
featurette called Backstage Pass With Lindsay Lohan.
This thing isn't particularly strong in content and is very much
on the "fluffy" side, but is actually much better than
a lot of these so called "fly-on-the-wall" pieces. Sure,
some elements seem just a touch staged, but in its brief running
time we get to see Lindsay's dressing room, her time spent in makeup
and even a little bit of footage of actual scenes being filmed.
Next you'll find one deleted
scene that tries to offer some closure with one of the
daughter's tormentors at school. As director Mark Waters wisely
points out, the scene is far too harsh for the tone of the film
and was a wise cut.
You'll also find three alternate
endings. These aren't so much different endings and simply
different edits of the film's actual ending. Again, the final choice
for the film was the correct one, so these are little more than
curiosities.
Two music videos
are available, one for Lillix's What I like About You and one for
Halo Friendlies' Me Vs. The World. What I Like About You is a classic
80's New Wave song and this is a decent, but not great cover. The
Halo Friendlies song is simply harmless pop/psuedo-rock. This sort
of stuff will appeal to the pre-teen and teen audience that is the
film's primary target.
Finally, you'll find a short Freaky
Bloopers section that, like most of these offerings, promises
to be much more funny than it really is..
:::back to top |
Freaky Friday is a great family film. It is
smart and fresh and will appeal to the adults easily as much as
it will the kids. I feel that this is actually a better spin on
the story than the original film and I highly recommend it.
:::back to top |
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| Despite all of the potential
sticky situations one can imagine involving a woman about to get married
and a teenage girl who has a crush on a boy, the film deftly sidesteps
taking things too far. The adults and older teens will definitely
pick up on some of the innuendos, but they will fly harmlessly over
the youngsters' heads. |
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| -- By Robert Wurth. Copyright
© 2003. |
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