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Deranged Video Dude: DVD Reviews and Rants

Technical Information

Studio: Paramount Home Entertainment

Year of Theatrical Release: 1994

Disc Format: 2-disc, single-sided, Dual Layer

Image Format: Anamorphic Widescreen (16:9)

Aspect Ratio: 2.35:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1

Running Time: 142 minutes

Director: Robert Zemeckis

Stars: Tom Hanks, Robin Wright, Sally Field, Gary Sinise

MPAA Rating: PG-13

Disc Supplements:

  • Audio Commentary: Robert Zemeckis, Production Designer Rick Carter, Producer Steve Starkey.
  • Audio Commentary: Producer Wendy Finerman.
  • Through the Eyes of Forrest Gump documentary.
  • Through the Ears of Forrest Gump set of 5 featurettes focusing on sound design.
  • Seeing is Believing set of 11 featurettes focusing on visual effects in the film.
  • The Magic of Makeup featurette.
  • Building the World of Forrest Gump featurette.
  • Screen tests.
  • Production stills.
  • Theatrical trailers.
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

Forrest Gump

Forrest Gump
: : : STORY

Forrest Gump is a film that very nearly defies description. Is it a drama? is it a comedy? Is it a historical fantasy? In its own way, it's all of these and more. At its heart, it's a love story. This is perhaps the best overall description of the film, and yet even that is too limiting.

Forrest Gump isn't ruled by a conventional plot. Instead, the film wanders exactly like someone telling a story. One event leads to another as much because that's what Forrest thought to tell us about next as anything else.

Early in the film we're told that Forrest (Tom Hanks) is at the lower end of the intellectual scale. In fact, his IQ is right around 75 -- well below the normal range. Though everyone else is convinced that Forrest is an idiot (and not afraid to say it in front of the boy), his mother plainly tells him that stupid is as stupid does. Given this benchmark of actions defining stupidity, Forrest soon proves himself to be the smartest person in the film.

At first, Forrest's mother (Sally Field) is the only one who doesn't place limits on the boy's abilities. When he enters school, Forrest meets a girl his own age, Jenny, who also accepts him without judging him.

Jenny, we quickly learn, is not the product of a happy home. We never really learn the details of Jenny's home life, just that she is very miserable and clings to Forrest as an escape.

Eventually, Forrest makes it into college. As it turns out, he has an uncanny knack for running. He's recruited to play football and thus earns a scholarship. Jenny also leaves for college and as their childhood lives drift apart, she begins to look for alternate means of escape.

Forrest's adult life continues a spectacular trend for becoming a part of momentous historical events (I say "continues" because as a boy he met Elvis and supposedly taught the King how to shake and shimmy). Using digital trickery, Forrest is inserted into historical footage for often hysterical results.

While Forrest's adventures ultimately lead him to success, Jenny's life takes a decidedly different turn. The escape she finds in Forrest's absence turns out to be sex, drugs and rock and roll. She knows her life is unfocused and spiraling downward, yet she seems to accept her fate as though she deserves no better. Still, her life intertwines with Forrest's as though the two of them were fated for each other.

Robert Zemeckis has managed the impressive feat of directing a movie that is about nothing and everything all at once. Throughout this love story between Forrest and Jenny, the film serves as a commentary and reflection about modern history. Forrest doesn't have the ability to intellectualize the events that surround him. Everything he sees and does is filtered through the sense of good and bad instilled by his mother. Nothing he does is for personal glory, yet many of his actions are nothing less than heroic.

The performances of the key players are superb, but it's Hanks' performance that is truly outstanding. He completely becomes Forrest Gump. His efforts go beyond simply adopting an odd, broken accent to a complete transformation of his mannerisms. For an example, take a look at the screen tests on the DVD and compare them to the film. The tests featuring Hanks are clearly before he "got" the character and the difference is jarring.

Special effect play a huge role in the film and many effects that are "throwaways" by today's standards were revolutionary for this film. Even so, they still hold up well, particularly the scenes with Lt. Dan (Gary Sinise), a friend of Forrest's who loses his legs in Viet Nam.

Aside from the love story, which is particularly poignant, part of what makes Forrest Gump work is that it never tries to be completely accurate with the historical events it portrays. As I mentioned above, it's more like the telling of a story -- some of the details may be mixed up, some may be embellished (though Forrest wouldn't know how to embellish a story), but in the end, it's all about making it entertaining.

:::back to top

: : : VIDEO

The DVD presentation of Forrest Gump serves as a first for Paramount in that it's a true 2-disc special edition. All the stops were pulled out for this one and what we get is truly an accomplishment from a studio who's discs have traditionally been light on extra content.

The image is presented in full anamorphic widescreen glory. For the most part, the image is very good. I didn't spot any signs of artifacting and the contrast is solid. Colors are sharp and even, with natural looking flesh tones and the black levels are appropriately deep while maintaining detail in the shadows. I spotted some slight edge enhancement here and there, but nothing too distracting. Perhaps the only problem with the transfer is that there seems to have been quite a bit of dirt, dust and scratches on the source print. It's not too distracting, but marrs what could otherwise have been a nearly perfect image.

:::back to top

: : : AUDIO

The sound mix, on the other hand, is very close to perfect. Dialog is crisp and clear and when the action kicks in, the surround mix is almost shockingly aggressive. There are certainly passages on this soundtrack that will irritate the neighbors. The non-action sequences seemed to lose the surround sound, which didn't strike me as a problem. Rather, I thought it only enhanced the "story telling" aspect of the film.

:::back to top

: : : EXTRAS

In terms of extras, this Special Edition is loaded. In addition to the movie, disc one also features two audio commentaries. The first is by Robert Zemeckis, Production Designer Rick Carter and Producer Steve Starkey. From the sounds of it, Carter and Starkey were recorded separately from Zemeckis. Still, their comments are edited together nicely so that there are few gaps in the comments. There are some interesting insights into the production on this track, but many of the comments don't correspond to the on-screen action. The second track features Producer Wendy Finerman. Since Forrest Gump was adapted from a novel, Finerman discusses the challenges of adapting the book to film. She talks more about the meanings hidden in Forrest Gump than the other track, but the tradeoff is in the form of long gaps in her commentary.

Disc two starts off with a 30-minute documentary called Through the Eyes of Forrest Gump. This is your standard "behind the scenes" feature that includes interviews with the cast and crew as well as glimpses of the production. While entertaining, this was obviously a promotional piece for the film and therefore not very in-depth about the making. This is made up for in the remaining features.

Seeing is Believing is a section containing 11 featurettes about the visual effects in the film. These featurettes cover everything from recreating Viet Nam to inserting Forrest Gump into archival footage (my particular favorite was the Birth of a Nation segment where they mention the decision to leave in the original error of tire tracks in the dirt road). This section contains two segments that didn't make it into the final cut. One features Forrest saving Martin Luther King, Jr., from attacking police dogs and the other has Forrest making an unfortunate shot while playing ping pong with George Bush. Of the two, the Martin Luther King, Jr., part just didn't seem to fit the tone of the film and I can see why it was cut.

Through the Ears of Forrest Gump contains 5 segments focusing on the sound design of the film. The Magic of Makeup looks, oddly enough, at the makeup work in the film, including efforts to age the stars (a subtle effect that I never noticed before is that Forrest's hair line recedes as the film progresses). Finally, Building the World of Forrest Gump features Production Designer Rick Carter discussing set design for the film, including location scouting and building such sets as the Gump house.

One of the more interesting extras on this disc is the Screen Test section. Tom Hanks was already on board by the time these tests were done, so he acts out scenes with Robin Wright and Haley Joel Osment (who played Forrest Gump, Jr.). As I mentioned above, these scenes are particularly entertaining because Hanks hadn't yet figured out how to play Forrest. His portrayal in these screen tests seems almost like an off-shoot of his character in Big. Also shown is a test for Michael Conner Humphreys and Hanna Hall (who played young Forrest and young Jenny).

Finally, the disc includes a still gallery, featuring publicity stills and the theatrical trailers.

:::back to top

: : : BOTTOM LINE

This is easily one of Paramount's most impressive releases. Forrest Gump is a great film and this is wonderful presentation. This is definitely one to add to your collection.

:::back to top

: : : MOVIE
   
   
   
   
   
4.5 / 5
: : : VIDEO
   
   
   
   
   
3.5 / 5
: : : AUDIO
   
   
   
   
   
4.5 / 5
: : : EXTRAS
   
   
   
   
   
5 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
2.5 / 5
While Forrest Gump himself is innocent enough, the movie does contain enough adult themes to at least warrant supervision.
: : : OVERALL
   
   
   
   
   
4.5 / 5

-- By Robert Wurth. Copyright © 2003.


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