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Technical Information
Studio: Fox
Home Entertainment
Year of Theatrical Release: 1999
Disc Format: 2-disc,
single-sided, Dual Layer
Image Format: Anamorphic
Widescreen
Aspect Ratio: 2.35:1
Region Encoding: 1
Sound Format: Dolby
Digital 5.1 and Dolby Pro Logic
Running Time: 139
minutes
Director: David
Fincher.
Stars: Brad
Pitt, Edward Norton, Helena Bonham Carter
MPAA Rating: R
Disc Supplements:
- Audio Commentary by David Fincher.
- Audio Commentary by David Fincher, Brad Pitt,
Edward Norton and Helena Bonham Carter.
- Audio Commentary by Chuck Palahnuik and Jim Uhls.
- Audio Commentary by production designer Alex McDowell,
cinematographer Jeff Cronenweth, costume designer Michael Kaplan
and visual effects superviser Kevin Haug.
- Behind the Scenes footage featuring multi-angles
and multiple sountracks.
- Deleted Scenes.
- Tyler Durden Public Service Announcements.
- Music Video.
- Promotion Gallery.
- Text interview with Edward Norton.
- Art and Still galleries.
- Making of Fight Club documentary
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One of the strongest indications that something
important is being said is how much negativity and misinterpretation
is directed at the message. Fight Club is a perfect example
of that. The film received a lot of bad press and much of it
originated from misunderstanding the message.
The most common argument I've heard is that
it's an overly violent film that glorifies men getting off on
beating up other men. This is entirely wrong. The film is about
men receiving pleasure from getting beaten up. The distinction
may not seem like much, but it's the key to the entire film.
The main character, the Narrator, isn't a man who wants to destroy
others (at least not at first); he wants to destroy himself
so that he can tear away everything that's wrong with his life.
Fight Club unflinchingly shows us what ills
our society today. Is there a fascist undertone in the portrayal
of men shaving their heads, wearing all black and blindly following
their Fight Club leader? If so, is it any more fascist than
an entire generation shamelessly adorning themselves in "uniforms"
covered with corporate logos as they strive to live in the same
houses, drive the same cars and compare similar bank accounts?
Perhaps that's why some disliked the film - it showed them a
truth they didn't want to see.
From the very first scenes in the movie, it's
obvious that the Narrator (he's never officially named in the
film - he could be anyone) is having some serious problems.
He's suffering from insomnia and when he's awake, he's just
going through the motions. The only respite from the routine
the Narrator fins is by attending support groups for people
with devastating medical problems. He suffers none of these
ailments, but that's not the point - he seems to gain something
by being around everyone else's misery. This is only a temporary
fix, however, as he discovers a woman attending the same groups
(though she is clearly out of place when she shows up for the
testicular cancer survivor meeting). She disrupts his newfound
peace, perhaps because it crystalizes his own deception by participating
in the groups, and soon he's back in the same rut.
His second break in the routine comes when
he meets Tyler Durden (Brad Pitt), an entrepreneurial soap salesman.
Tyler turns the Narrator's life around when the two form the
Fight Club. In a way, the Fight Club is another sort of support
group, but infinitely more intense. Instead of crying about
their misery, the members of the club pound each other until
their physical bodies match their emotional distress.
There are elements of Fight Club best left
unspoiled, so I will stop with the plot description. Not only
is the story compelling, but the direction and visual style
is stunning. David Fincher is quickly becoming one of my favorite
directors - I'm anxious to see what he does next. The acting
is also first-rate. Ed Norton (the Narrator) and Pitt don't
just seem to be acting the parts so much as embodying them.
Also a standout is Helena Bonham Carter as Marla; her interplay
with Norton and Pitt contains layers of meaning. Watch the film
a second time and you'll notice nuances of her performance that
are outstanding
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top |
It's only fitting that a film as
good as this would get topnotch treatment on DVD. Fox has reason
to be proud of this release. The anamorphic picture is wonderfully
dark and moody with no distortions, artifacting or grain. Nearly
all of this movie is dimply lit, yet all details are crisp and clear,
colors remain bright and the contrast is strong.
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Equally impressive is the sound
mix - this is a very aggressive soundtrack with a lot of surround
effects. The film contains many unconventional camera movements
and the soundtrack matches with enveloping sound effects. The bass
is also very strong, letting you almost feel every thud of fist
on skin.
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Included on the first disc (there are two in
the set) are no less than four commentary tracks. Of the four, my
favorite is easily the group track by David Fincher, Edward Norton,
Brad Pitt and Helena Bonham Carter. It sounds as though Carter's
track was recorded separately, but a good job is done of editing
the comments together.
The second disc is filled with behind-the-scenes
supplements. Much of the material is a little on the dry, technical
side, so may not appeal to everyone. Don't let that discourage you,
though, there's still some good stuff, including outtakes and deleted
scenes. I do have to complain about the navigation of disc 2 - it's
not as easy as it could have been, but really doesn't detract from
the overall package.
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The bottom line? I loved this film and completely
recommend it. A lot of people may be offended by it, but that's
a good thing. Everyone needs to be shaken up now and again.
:::back to top |
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| I can in no way recommend
this film for the family. The older teens may be able to handle it,
but whether or not they get the message, rather than view this as
just a violent slug-fest, will likely depend on the supervision of
parents. |
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| -- By Robert Wurth. Copyright
© 2003. |
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