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Technical Information
Studio:
Universal Home Video
Year of Theatrical Release: 2001
Disc Format: 1
Single-Sided, Dual Layer
Image Format: Anamorphic
(16x9 enhanced)
Aspect Ratio:
2.35:1
Region Encoding: 1
Sound Format: Dolby
Digital 5.1, DTS 5.1
Running Time: 107
minutes
Director: Rob
Cohen
Stars: Vin Diesel,
Paul Walker, Michelle Rodriguez, Jordana Brewster, Rick Yune, Ted
Levine
MPAA Rating: PG-13
Disc Supplements:
- Interactive Multi-angle stunt sequence
- Movie Magic interactive effects feature
- Visual Effects montage
- Racer X article
- The Making of the Fast and the Furious
- Feature length commentary with director Rob Cohen
- Deleted scenes with optional commentary
- Storyboard to final scene comparison
- DVD-ROM features
- Music videos for Ja Rule's "Furious,"
Caddillac Tah's "POV City Anthem," Saliva's "Click
Click Boom"
- Theatrical trailer
- Production notes
- Filmographies
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It's an interesting feeling to be watching
a film and realize, not long into it, that you've seen it before.
Not the exact film, mind you, but the same plot, the same characters
and nearly the exact same setups.
Start with a group of thrillseekers. These
aren't your every day, run-of-the-mill, adrenaline junkies.
Rather, this is a group so close-knit that they form almost
a secret society, a subculture that is completely alien to anyone
not on the inside. Within this group, there is an even tighter
group for whom the thrills aren't so thrilling anymore. They
need something more, something illegal. How do you go about
catching these crooks? Naturally, you place an undercover officer
in their midst, someone who can convincingly act a part of their
culture, in the hopes that these otherwise cunning thieves will
take the newcomer in with open arms.
Strangely enough, the movie I've just described
is not Point Break, the film about surfer thieves who rob banks
to fund their surfing lifestyle and the undercover FBI agent
who infiltrates their gang. However, if you've seen that film,
then The Fast and the Furious will cause a serious case of deja
vu within the first 20 minutes or so. This time we're dealing
not with surfers, but with street racers and instead of banks,
they're hijacking trucks. The undercover cop even talks like
Keanu Reaves. Dye his hair black and I'm sure he'd look like
him, too.
The truckers and the police have little more
to go on other than the hijackings are being committed by a
group of souped-up import sports cars. This immediately leads
the police to suspect the local street racers and they send
one of their own, Brian O' Connor (Paul Walker), to infiltrate
their group. O' Connor starts out by working at a local auto
parts store that specializes in import racing accessories. He
is also given a massively customized Eclipse to race with. This
car has so much cash dropped into it that the LAPD may just
have to drop its entire West and Valley Bureaus just to cover
the bill.
The conceit of the film is that these racer/thieves
have not seen Point Break and are therefore willing to accept
a white-bread, newbie racer no one has heard of nor seen before
into their fold with no questions asked. Once you accept that,
it's not difficult to accept that dozens of highly conspicuous
imports can race at 100-plus miles per hour nightly on public
streets without the police ever figuring it out. You'll also
be able to accept that the thieves can perform highly conspicuous
hijackings unnoticed or without one of the truckers simply running
them over (let's be honest here - one of those imports would
barely register as a speedbump to a semi truck). And finally,
you'll accept that neither the good guys can figure out who
the bad guys are and the bad guys can't figure out who the good
guy is until it's way too late.
But still, this is fun movie to watch. For
one thing, it has some really exciting car chases and races.
Sure, these scenes are almost entirely digitally enhanced, but
they look good anyway. For another, the film has Vin Diesel
as the leader of one of the groups of racers. Diesel continues
to display genuine charisma on screen and here he manages to
create the most interesting and likable character in the film.
There aren't going to be many surprises in
The Fast and the Furious. In fact, if you can't outline the
entire plot within the first 10 minutes, then it's only because
you aren't paying attention to the film. Still, this is proof
that even recycled material can be entertaining if done well.
This is a slick, loud and fast film and as long as you don't
go in expecting much from it, then it's good for nearly two
hours of fun.
:::back to
top |
This disc simply looks phenomenal.
There are many places where this transfer could have gone wrong,
from the technicolor race cars, to the high speed race scenes, to
smoking tires, to races taking place in the dead of night and in
bright desert sunlight. The disc handles all of it beautifully,
with rich, vibrant color, solid black levels and accurate flesh
tones. Edge enhancement is no where to be found, bringing this video
presentation to right near reference quality -- it doesn't get much
better than this.
:::back to top |
The disc gives you the choice of a Dolby Digital
5.1 track or a DTS track. You'll be hard-pressed to find flaws with
either, as they are both first rate. As is typical of DTS, it offers
a tad more low end bass than the Dolby Digital track, but unless
you specifically do a side-by-side comparison, you'll never notice
the difference. Also, the left-right and front-back panning of the
surround effects sound just a touch more natural on the DTS side,
but again, the differences are slight.
Also included is a French 5.1 track and English
subtitles.
:::back to top |
Universal has managed to put together a rather
impressive array of extras for this film. First up is a feature-length
audio commentary with director Rob Cohen. This is certainly not
a boring track, as Cohen fills the time without many breaks and
offers up a lot of information about the making of the film. If
anything, perhaps the only trouble with the track is that Cohen
seems to take the film a bit too seriously.
The
disc offers up a series of featurettes, beginning with the Making
of The Fast and the Furious. It runs just under 20 minutes and straddles
the line separating a worthwhile featurette from a glorified commercial.
Still, this is bit more entertaining and involved than, say, the
usual HBO First Look.
Next
up are a series of short features on the special effects, Visual
Effects Montage, Movie Magic, Interactive Stunt Sequence, and Storyboard
to Final Film Comparison. These are certainly geared toward the
effects fans, but are interesting enough to appeal to almost anyone.
Editing
for the Motion Picture Association is a small segment showing the
process of editing a film down for a certain rating. If you are
unfamiliar with the rating process, this will be a real eye-opener,
showing that the difference between a PG-13 and an R rating sometimes
comes down to just a few frames of film.
There
are a series of 8 Deleted Scenes included. Some of the scenes are
interesting, but none of them seem like anything that would have
vastly improved the film had they been included.
There's
still more, including music videos for Ja Rule's Furious, Caddillac
Tah's POV City Anthem and Saliva's very cool song, Click Click Boom.
The article Racer X is also included and this piece on street racers
is what supposedly inspired the film. The theatrical trailer, filmographies
and production notes round out the main extras.
Finally, there is DVD-ROM content included. You'll
find some games, more production notes, a jukebox of songs, still
image galleries and weblinks.
:::back to top |
The Fast and the Furious is certainly not going
to go down as a classic in cinematic history, but in its own way,
it's a perfect example of a fun summer action flick. As long as
you don't go into it expecting award winning fimmaking, then there's
a good chance you'll be entertained.
:::back to top |
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| There
is too much adult content for the younger family members, but there's
no reason why the older kids can't watch it with supervision. |
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| -- By Robert Wurth. Copyright
© 2003. |
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