Movie producers consider their time to be
vastly important. Because of this, filmmakers have learned to
pitch their ideas in short, catchy paragraphs (often leading
to films of little substance beyond their high-concept pitches).
I would imagine the pitches for both Deep Impact and Armageddon
were remarkably similar. It's interesting, then, how two very
different films can come from essentially the same idea.
Both movies do share some elements: each deals
with large objects that will smash into the Earth and destroy
all life, both involve a heroic crew that journey to the Earth-killer
to destroy it, both take plenty of creative liberties with science
and both were released theatrically within months of each other.
Deep Impact, the more plausible (and vastly
superior) of the two, open with a astronomy club gazing at the
stars. One of the group, a teenager, spies an odd object and
takes a picture of it to send to his professional astronomer
astronomer pal. This astronomer instantly computes that the
comet will strike Earth and in perhaps the most realistic scene
in the movie, can't get an internet connection to send out warnings
(at least my own connections seem to always crap out when I'm
in the middle of important things).
Not wanting to waste any time in alerting
the world, the astronomer packs up his findings, hops in his
jeep and speeds off into the night, only to be run off the road
and killed by a sleepy trucker. Apparently common sense wasn't
his strong suit, as he could have saved a lot of trouble by
simply picking up the phone and calling someone.
Eventually, of course, the comet becomes known
and the United States and Russia join forces to build a spacecraft
to send to it. The intent is to place explosives under the surface
and "nudge" the comet out of Earth's path.
Just in case the spacecraft thing doesn't
work, preparations are made on Earth to house a select few in
deep underground bunkers. The idea is that a lottery will choose
people at random to hide underground when the comet strikes.
The rest will be left to die on the surface after all other
life is obliterated. It occurred to me that the plan for choosing
people at random flawed at best. Millions of people would be
left on the surface and most of them won't be killed instantly.
We're to believe they'd just accept their doom? Armed or not,
those underground "survivors" wouldn't be able to
fend off millions of panicked, starving people with access to
explosives and contruction equipment.
Flaws aside, Deep Impact is mostly a satisfying
movie. This is mostly due to the fact that the characters are
engaging and fleshed out enough that we actually care what happens
to them. Most of the dialog works well and the acting is more
than acceptable all the way around. There isn't a lot of action,
but what little is present is handled well and the "impact"
scene is spectacular.