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Technical Information
Studio: Fox
Home Entertainment
Year of Theatrical Release: n/a
Disc Format: 6
single-sided, Dual Layer
Image Format: Full
Frame
Aspect Ratio: 1.33:1
Region
Encoding: 1
Sound Format: Dolby
Digital 2.0 (pro logic)
Running Time:
Each episode runs approximately 45 minutes
Director: Various
Stars: Jessica
Alba, Michael Weatherly, John Savage, Jensen Ackles, Valarie Rae
Miller
MPAA Rating: n/a
Disc
Supplements:
- Audio commentary on select episodes featuring
members of the cast and crew
- Max Resurrected featurette
- Making the Manticore Monsters featurette
- Manticore on the Loose featurette
- Blooper Reel
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Dark Angel faced some tough times in its short
run as a series. When the show debuted, Buffy was the reigning
television tough chick. The slayer had a few seasons under her
belt and had stabilized into a witty and well-realized show
that was producing Emmy quality episodes. Buffy had also just
spawned a spin-off with the enormously popular Angel character.
In Dark Angel's corner was the mightly James
Cameron, a force to be reckoned with to be sure, but also unproven
in the television world.
It was perhaps a bad sign that the show was
frantically trying to reinvent itself by the end of the first
season. Change isn't necessarily a bad thing, but this had almost
a sense of desperation. When season 2 came around, it almost
didn't seem like the same show. Much of the edginess and dark
wit was gone, replaced by action and conspiracies.
Don't get me wrong. If done well, I don't
mind it when a series evolves and reinvents itself. It can be
natural and refreshing change. In the case of Dark Angel, however,
the changes almost seem too forced and too rushed. The creators
knew they had to capture an audience quickly if they had any
chance at all of stealing some of the Buffy thunder, but they
made their play by going too outlandish too quickly.
Plot elements (such as the half-human, half-animal
rejects) should have been introduced gradually, if at all. Some
of these elements should have taken seasons to mature and instead
are introduced and resolved in the span of a handful of episodes.
New characters are thrown into the mix with such dizzying rapidity
that it becomes almost impossible to care for many of them.
In the span of one season, we are given a
completely new race of genetic mistakes, who are all on the
loose. Max (Jessica Alba) is infected with a virus designed
to kill her budding love interest and mentor, Logan (Michael
Weatherly). Max develops mysterious runes on her body that may
be the "signature" of one of the orignal genetic scientists,
or they may be the key to a long lost secret. Oh, and those
escaped genetic mutants? They're interested in forming their
own nation.
It's all just a little much for one little
season of television.
As with the first season, Jessica Alba does
a decent acting job in the role of Max, a genetically supercharged
soldier. Some of Max's toughness is gone, allowing Alba the
opportunity to show more emotional range (but don't get me wrong,
she still kicks butt when she has to). Her biggest challenge
is in maintaining a continuous sense of frustration regarding
her relationship with Logan.
And about that Logan character. He must have
the worst luck in television. He was paralized in the first
season until a transfusion of Max's blood helps him heal. But
now in the second season he's faced with a genetically created
virus that has been inserted into Max for the purpose of killing
him. Poor sap. It's enough to make one wonder: Had the show
survived, would some season-long tragedy become the running
joke of the Logan character?
Ultimately, Dark Angel's problem is that it
tried to be too much to too many. By attempting to appeal to
so many tastes and quickly gain an audience, the show lost focus
and degenerated into a juggling act that simply could not sustain
itself. It's too bad, too, because given 5 or 6 seasons to fully
explore all of these ideas and this show might have been great.
Instead, it's just a slightly jumbled curiosity.
:::back to
top |
As with the first season, the episodes
in this set are presented in a non-animorphic 1.33:1 aspect ratio.
But again, like the first season, the overall picture quality is
pretty decent. This season utilizes color a lot more than the first
and this is presented well on these discs, with good color saturation
and very solid black levels. Shadow detail is strong and in general,
the image contrasts are very good. I didn't notice any compression
problems or other digital areas. Even edge enhancement seems fairly
minimal.
:::back to top |
Once again, we're only offered
a 2.0 Dolby Digital sound mix. The dynamic range isn't as strong
as what you'd find in a full-on 5.1 or better mix, but still pretty
good. The highs do sound just a touch harsh, but the low ends are
suitably strong. Surround effects are very minimal, with most effects,
as might be expected, sticking primarily to the front sound stage.
:::back to top |
There are fewer extras in this
set compared with the first.
Four episodes feature commentary
tracks, beginning with a track by co-executive producer
Kenneth Biller, executive producer/writer Rene Echevarria, co-producer/writer
Moira Kirland Dekker and director Jeff Wollnough on the first episode
of the second season, called Designate This. Episode 11 on disc
3, The Berrisford Agenda, offers a commentary by Moira Kirland Dekker
and producer Janace Tashjian. Jumping over to disc 5, we get a commentary
on Hello, Goodbye by Jeff Woolnough and writer Jose Molina. And
finally, the season (and series, as it turns out) finale, Freak
Nation features comments by Richard Gunn, Rene Echevarria, executive
producer/co-writer Charles H. Eglee, Kenneth Biller and Moira Kirland
Dekker.
Alas, no commentary by James Cameron.
Perhaps he was too bitter by the show's cancellation.
The commentaries are informative,
but nothing really exciting. I found that the first and the last
tracks almost seemed a bit too crowded. It's a delicate balance
with group commentaries, as either one person dominates or no one
really gets the chance to expand on any of their thoughts.
Disc 6 holds all of the remaining
extras. First up are three featurettes that together run just over
20 minutes. The first, and longest (at just about 15 minutes) is
Max Resurrected and was actually somewhat more
informative than I expected. This feature does a decent job of outlining
the changes that were made for season 2, as well as offering a overview
of the new characters and themes. Perhaps the highlight of this
featurette are comments by James Cameron, who directed the final
episode.
The remaining two featurettes, Making
the Manticore Monsters and Manticore on the Loose
run about 6 minutes and 1 minuet and 45 seconds respectively. Making
Manticore Monsters is a short, but sweet look at the design and
make-up process. It's not all that informative, but somewhat interesting.
Manticore on the Loose is little more than a scene montage and of
very little value.
The final special feature is a 4
minute blooper reel that, as is most often the case, is likely a
lot more funny to the cast and crew than it will be to any of us.
:::back to top |
I won't say that I dislike Dark Angel, either
the second season or as a complete series, because that wouldn't
be accurate. It would be more fair to say that I'm disappointed
in the execution of the ideas. The show simply tried a little too
hard and the result seems forced. I'd give it an A for effort, but
the show will probably be just too much for some viewers to take.
:::back to top |
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| Despite being a television
show, it features quite a bit of violence and sexuality. The older
teens can handle it, but this isn't a show for the whole family. |
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| -- By Robert Wurth. Copyright
© 2003. |
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