I think I made a mistake when I watched this
film. You see, I didn't view it in the theater, so this DVD
version was my first experience to it. I received it at the
same time as the first two films, so it seemed reasonable to
review them in sequence.
That was my mistake.
Considering that it had been years since I'd
watched the first two films, watching this one first might have
made it seem a little more fresh. As I mentioned in my review
of Crocodile Dundee II, the character of Mick Dundee is essentially
a one-trick pony and we've all seen the trick.
The problem is that this film doesn't contain
a single gag that wasn't done in the previous films. There are
only so many times you can see Mick Dundee be confused by transvestites
or thwart muggers and still give a damn.
The film starts out in Australia, where Mick
and Sue have been living and raising their son. Mick is frustrated
by the fact that Walkabout Creek has turned into a tourist trap,
so when Sue is offered the chance to take over her father's
Los Angeles branch of the newspaper, he urges her to take the
job.
The family moves to LA, where Mick is once
again a fish out of water. The problem, of course, is that Mick
is supposed to be a bright guy who's been in the big city before,
yet we're supposed to believe that it's all new to him - again.
We can see all the same old jokes coming a mile away, so they
elicit groans rather than laughs.
Other problems plague the film as well. It
might, for instance, seem amusing that Mick drives around in
a Subaru Outback -- that is, until you realize that this is
nothing more than product placement for the car that Paul Hogan
already plugs in TV commercials. In fact, when this film hits
TV airwaves, it may not need commercial interruption. All of
the advertising has been taken care of.
There is also the continuing issue of the
lack of romance between the two main characters. As with the
first film, I found myself hoping that Hogan's and Kozlowski's
off-screen relationship isn't as uninspired as their on-screen
one.
Further hampering the film is the problem
of the celebrity cameo. When will Hollywood learn that having
actors play themselves in film almost never works? Sure, there
are exceptions, but more often than not the gimmick comes across
as an act of desperation, especially when the point is only
to humiliate the actor in question (such as having George Hamilton
talk about the virtues of coffee enemas in this film).
As if realizing the fish out of water aspect
can only take the story so far, another Hollywood cliché
is employed. Shortly after arriving in LA, Sue finds a "big
story" in the notion that a new movie studio may be up
to no good. Mick offers to go undercover at the studio and we're
supposed to laugh at the notion of Crocodile Dundee playing
a movie extra.
Still, for all of the problems, the film remains,
like the first two, mostly harmless. Hogan has enough charisma
and has created a likable enough character that you don't really
mind watching him. This is the sort of film you can put in when
you have other things to work on. It's not quite bad enough
to be unwatchable, but not quite good enough to give your full
attention to.