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Technical Information

Studio: Paramount Home Video

Year of Theatrical Release: 2001

Disc Format: 1 single-sided, Single Layer

Image Format: Anamorphic (16x9 enhanced)

Aspect Ratio: 1.85:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1, Dolby Digital 2.0 (Pro Logic)

Running Time: 94 minutes

Director: Simon Wincer

Stars: Paul Hogan, Linda Kozlowski

MPAA Rating: PG

Disc Supplements:

  • Cast and Crew interview featurette.
  • Theatrical trailer.
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

Crocodile Dundee in Lost Angeles

Crocodile Dundee in Los Angeles
: : : STORY

I think I made a mistake when I watched this film. You see, I didn't view it in the theater, so this DVD version was my first experience to it. I received it at the same time as the first two films, so it seemed reasonable to review them in sequence.

That was my mistake.

Considering that it had been years since I'd watched the first two films, watching this one first might have made it seem a little more fresh. As I mentioned in my review of Crocodile Dundee II, the character of Mick Dundee is essentially a one-trick pony and we've all seen the trick.

The problem is that this film doesn't contain a single gag that wasn't done in the previous films. There are only so many times you can see Mick Dundee be confused by transvestites or thwart muggers and still give a damn.

The film starts out in Australia, where Mick and Sue have been living and raising their son. Mick is frustrated by the fact that Walkabout Creek has turned into a tourist trap, so when Sue is offered the chance to take over her father's Los Angeles branch of the newspaper, he urges her to take the job.

The family moves to LA, where Mick is once again a fish out of water. The problem, of course, is that Mick is supposed to be a bright guy who's been in the big city before, yet we're supposed to believe that it's all new to him - again. We can see all the same old jokes coming a mile away, so they elicit groans rather than laughs.

Other problems plague the film as well. It might, for instance, seem amusing that Mick drives around in a Subaru Outback -- that is, until you realize that this is nothing more than product placement for the car that Paul Hogan already plugs in TV commercials. In fact, when this film hits TV airwaves, it may not need commercial interruption. All of the advertising has been taken care of.

There is also the continuing issue of the lack of romance between the two main characters. As with the first film, I found myself hoping that Hogan's and Kozlowski's off-screen relationship isn't as uninspired as their on-screen one.

Further hampering the film is the problem of the celebrity cameo. When will Hollywood learn that having actors play themselves in film almost never works? Sure, there are exceptions, but more often than not the gimmick comes across as an act of desperation, especially when the point is only to humiliate the actor in question (such as having George Hamilton talk about the virtues of coffee enemas in this film).

As if realizing the fish out of water aspect can only take the story so far, another Hollywood cliché is employed. Shortly after arriving in LA, Sue finds a "big story" in the notion that a new movie studio may be up to no good. Mick offers to go undercover at the studio and we're supposed to laugh at the notion of Crocodile Dundee playing a movie extra.

Still, for all of the problems, the film remains, like the first two, mostly harmless. Hogan has enough charisma and has created a likable enough character that you don't really mind watching him. This is the sort of film you can put in when you have other things to work on. It's not quite bad enough to be unwatchable, but not quite good enough to give your full attention to.

:::back to top

: : : VIDEO

The DVD presentation is noticeably better than the previous two films. This is a newer movie, though, so that's to be expected -- the print is simply in better shape. I noticed very little grain and dust and there were no compression artifacts to be found. Edge enhancement is still a problem, but it's not nearly as bad as on the other two in the series. The picture isn't nearly as soft and the colors are much more vibrant. The black levels are good, holding detail in the shadows and the overall contrast is fine.

:::back to top

: : : AUDIO

The sound is much better this time around. Overall, there is a lot more dynamic range in this soundtrack than what was available on the first two films. The bass levels are strong and most of the dialogue is clear. Not a lot of use has been made of the surround speakers, but what surround effects there are remain separated nicely.

:::back to top

: : : EXTRAS

We don't get much in the way of extras here. Included is a cast and crew interview featurette that, like the one for Dundee II, really isn't that involved. Director Simon Wincer talks plenty about how much Paul Hogan makes him laugh, which only made me want to see the behind the scenes stuff he was talking about. Since the film only contained smiles and mild chuckles at best, it would have been nice to have some genuine laughs included on the disc.

The theatrical trailer is also included.

:::back to top

: : : BOTTOM LINE

Crocodile Dundee In Los Angeles winds up being little more than recycled, rehashed and watered down bits from the first two films. Paul Hogan's charisma saves it from being a total failure and there's enough good nature to make it the best of the three for the family. All in all, this is a fairly forgettable film, but Hollywood has produced far worse.

:::back to top

: : : MOVIE
   
   
   
   
   
2 / 5
: : : VIDEO
   
   
   
   
   
3.5 / 5
: : : AUDIO
   
   
   
   
   
3.5 / 5
: : : EXTRAS
   
   
   
   
   
1.5 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
3.5 / 5
Of the three Croc films, this one is the best suited for the family. Supervising the younger crowd is still a good idea, but there's nothing objectionable here.
: : : OVERALL
   
   
   
   
   
2.5 / 5

-- By Robert Wurth. Copyright © 2003.


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