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Technical Information
Studio: Miramax
Home Entertainment
Year of Theatrical Release: 1997
Disc Format: 1
single-sided, Dual Layer
Image Format: Anamorphic
Widescreen
Aspect Ratio: 1.85:1
Region
Encoding: 1
Sound
Format: Dolby
Digital 5.1, Dolby Digital 2.0 (pro logic)
Running Time:
116 minutes
Director: James
Mangold
Stars: Sylvester
Stallone, Harvey Keitel, Robert Deniro, Robert Patrick, Michael
Rapaport, Annabella Sciorra
MPAA Rating: R
Disc
Supplements:
- Commentary featuring director James Mangold, producer
Cathy Konrad and Sylvester Stallone and Robert Patrick
- Cop Land: The Making of an Urban Myth featurette
- Storyboard comparison
- Deleted Scenes
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Cop Land is a television mini-series populated
by feature film stars and crammed into a theatrical running
time. This movie has so much going on that it has absolutely
no hope of fitting it all into its less than 2-hour running
time.
The title of the film refers to the small
town of Garrison, New Jersey, a community just outside of the
crime infested streets of Manhatten. Garrison is the home to
a rather large population of New York City police officers,
who, as the film explains, have bypassed an ordinance preventing
them from living outside the state by taking part-time jobs
as transit cops. The ringleader of this group of cops, "Uncle"
Ray Donlan (Harvey Keitel) has connections to the mafia and
has used them to secure inexpensive housing for all of his cop
buddies.
Garrison's sheriff department is run by Freddy
Heflin (Sylvester Stallone), who has always wanted to be a cop.
We learn that as a teenager, Heflin rescued a young girl from
drowning, but in doing so he went deaf in one ear. This handicap
prevents him from being a New York City cop. By becoming the
sheriff of Garrison, Heflin is able to live vicariously through
the "real" police officers. In turn, the NYPD residents
treat Heflin with the condescending attitude one might reserve
for the little brother who won't stop following you around.
This is all just background. The main story
involves a young cop, Murray "Superboy" Babitch (Michael
Rapaport), who is involved in the murder of two black men. It
is presumed that rather than see his reputation tarnished, Babitch
jumped to his death from the Gearge Washinton bridge. In reality,
Uncle Ray has smuggled Babitch away from the scene of the crime.
Internal Affairs investigator Moe Tilden (Robert
DeNiro) suspects that Babitch is still alive, and probably being
hidden in Garrison, but since the town is outside of his jurisdiction,
he tries to enlist Heflin's help, appealing to Heflin's desire
to be a "real" cop.
Had Cop Land stopped there, and developed
its story just around this situation and these characters, it
might have been a great, tight thriller. However, this is only
scratching the surface of the stories the film wants to tell.
There is another corrupt cop, Gary Figgis (Ray Liotta), who
appears to be one of Freddy Heflin's only friends. And then
there's Liz (Annabella Sciorra), the girl that Heflin rescued
as a teenager. Liz is now married to one of Garrison's NYPD
residents and in an abusive relationship, because her husband
is cheating on her with Uncle Ray's wife.
There's more, but already it's sounding a
little too much like a soap opera. It's not that all of these
stories aren't interesting. It's just that they are a little
too much for a 2-hour movie. This material really wants a 2
or 3 night mini-series to fully explore all of the story threads.
But because everything is trimmed so short, there just doesn't
seem to be any sort of satisfying conclusion to anything.
Cop Land is a little like taking too many
really great ingredients and throwing them all into one soup.
:::back to
top |
Miramax has really outdone itself
with this transfer. A lot of Cop Land takes place at night, where
details could easily be lost on DVD. But not here. The black levels
are very deep, but also extremely rich with detail. Colors seem
natural and overall contrasts are excellent. I noticed no evidence
of digital artifacting and only the smallest amount of occasional
edge enhancement.
:::back to top |
The sound track isn't very impressive
here, but that has nothing to do with the DVD presentation. This
just isn't that dynamic of a film and most of the action is dialog
driven. Still, for what it is, it sounds decent, with an adequate
range.
:::back to top |
This special edition re-release
of Cop Land is most notable for it excellent commentary
track, which kicks off the special edition materials.
The track is a group effort by director
James Mangold, producer Cathy Konrad and actors Robert Patrick and
Sylvester Stallone. Sometimes large groups tracks can become a little
unfocused, but this one really shines. The high point is Stallone,
who offers some very keen insight into his understanding of the
public's perception of him and why it was important to him to break
his own stereotype with the role of Freddy Heflin. All in all, this
is a very good track and ultimately far more riveting than the film.
Next up is the 14 minute Cop
Land: The Making of an Urban Myth. This featurette has
all the look and feel of an HBO First Look, meaning that there is
really very little substance to be found here. This isn't the worst
I've seen, but you wouldn't be missing much by skipping it.
A Storyboard Comparison
is next on the list. Studios keep including these things, but I
suspect that the only people who really care are hard core film
students. Face it, unless you're into the craft of making a film,
storyboards are pretty useless and boring.
Finally, there are two deleted
scenes, one featuring a car chase within Garrison, and
the second featuring Freddy defending himself for the arrest of
African Americans. For a film that was already bursting at the seams
with plot threads, these were both good cuts, even if they were
quality scenes with decent acting.
:::back to top |
Cop Land is simply too unfocused for its own
good. It isn't that it's not possible to follow the various stories,
but rather than an audience shouldn't be expected to work quite
so hard for so little a payoff. It's a great idea that fall short
in the area of execution.
:::back to top |
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| Cop Land is very much an
adult-themed film. Older teens could watch it, if nothing else for
some decent acting performances, but otherwise, keep the kids away. |
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| -- By Robert Wurth. Copyright
© 2004. |
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