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Technical Information

Studio: Miramax Home Entertainment

Year of Theatrical Release: 1997

Disc Format: 1 single-sided, Dual Layer

Image Format: Anamorphic Widescreen

Aspect Ratio: 1.85:1

Region Encoding: 1

Sound Format: Dolby Digital 5.1, Dolby Digital 2.0 (pro logic)

Running Time: 116 minutes

Director: James Mangold

Stars: Sylvester Stallone, Harvey Keitel, Robert Deniro, Robert Patrick, Michael Rapaport, Annabella Sciorra

MPAA Rating: R

Disc Supplements:

  • Commentary featuring director James Mangold, producer Cathy Konrad and Sylvester Stallone and Robert Patrick
  • Cop Land: The Making of an Urban Myth featurette
  • Storyboard comparison
  • Deleted Scenes
 

Quick Links:
Story
Video
Audio
Extras
Bottom Line

DVD Review:
Cop Land

Cop Land
: : : STORY

Cop Land is a television mini-series populated by feature film stars and crammed into a theatrical running time. This movie has so much going on that it has absolutely no hope of fitting it all into its less than 2-hour running time.

The title of the film refers to the small town of Garrison, New Jersey, a community just outside of the crime infested streets of Manhatten. Garrison is the home to a rather large population of New York City police officers, who, as the film explains, have bypassed an ordinance preventing them from living outside the state by taking part-time jobs as transit cops. The ringleader of this group of cops, "Uncle" Ray Donlan (Harvey Keitel) has connections to the mafia and has used them to secure inexpensive housing for all of his cop buddies.

Garrison's sheriff department is run by Freddy Heflin (Sylvester Stallone), who has always wanted to be a cop. We learn that as a teenager, Heflin rescued a young girl from drowning, but in doing so he went deaf in one ear. This handicap prevents him from being a New York City cop. By becoming the sheriff of Garrison, Heflin is able to live vicariously through the "real" police officers. In turn, the NYPD residents treat Heflin with the condescending attitude one might reserve for the little brother who won't stop following you around.

This is all just background. The main story involves a young cop, Murray "Superboy" Babitch (Michael Rapaport), who is involved in the murder of two black men. It is presumed that rather than see his reputation tarnished, Babitch jumped to his death from the Gearge Washinton bridge. In reality, Uncle Ray has smuggled Babitch away from the scene of the crime.

Internal Affairs investigator Moe Tilden (Robert DeNiro) suspects that Babitch is still alive, and probably being hidden in Garrison, but since the town is outside of his jurisdiction, he tries to enlist Heflin's help, appealing to Heflin's desire to be a "real" cop.

Had Cop Land stopped there, and developed its story just around this situation and these characters, it might have been a great, tight thriller. However, this is only scratching the surface of the stories the film wants to tell. There is another corrupt cop, Gary Figgis (Ray Liotta), who appears to be one of Freddy Heflin's only friends. And then there's Liz (Annabella Sciorra), the girl that Heflin rescued as a teenager. Liz is now married to one of Garrison's NYPD residents and in an abusive relationship, because her husband is cheating on her with Uncle Ray's wife.

There's more, but already it's sounding a little too much like a soap opera. It's not that all of these stories aren't interesting. It's just that they are a little too much for a 2-hour movie. This material really wants a 2 or 3 night mini-series to fully explore all of the story threads. But because everything is trimmed so short, there just doesn't seem to be any sort of satisfying conclusion to anything.

Cop Land is a little like taking too many really great ingredients and throwing them all into one soup.

:::back to top

: : : VIDEO

Miramax has really outdone itself with this transfer. A lot of Cop Land takes place at night, where details could easily be lost on DVD. But not here. The black levels are very deep, but also extremely rich with detail. Colors seem natural and overall contrasts are excellent. I noticed no evidence of digital artifacting and only the smallest amount of occasional edge enhancement.

:::back to top

: : : AUDIO

The sound track isn't very impressive here, but that has nothing to do with the DVD presentation. This just isn't that dynamic of a film and most of the action is dialog driven. Still, for what it is, it sounds decent, with an adequate range.

:::back to top

: : : EXTRAS

This special edition re-release of Cop Land is most notable for it excellent commentary track, which kicks off the special edition materials.

The track is a group effort by director James Mangold, producer Cathy Konrad and actors Robert Patrick and Sylvester Stallone. Sometimes large groups tracks can become a little unfocused, but this one really shines. The high point is Stallone, who offers some very keen insight into his understanding of the public's perception of him and why it was important to him to break his own stereotype with the role of Freddy Heflin. All in all, this is a very good track and ultimately far more riveting than the film.

Next up is the 14 minute Cop Land: The Making of an Urban Myth. This featurette has all the look and feel of an HBO First Look, meaning that there is really very little substance to be found here. This isn't the worst I've seen, but you wouldn't be missing much by skipping it.

A Storyboard Comparison is next on the list. Studios keep including these things, but I suspect that the only people who really care are hard core film students. Face it, unless you're into the craft of making a film, storyboards are pretty useless and boring.

Finally, there are two deleted scenes, one featuring a car chase within Garrison, and the second featuring Freddy defending himself for the arrest of African Americans. For a film that was already bursting at the seams with plot threads, these were both good cuts, even if they were quality scenes with decent acting.

:::back to top

: : : BOTTOM LINE

Cop Land is simply too unfocused for its own good. It isn't that it's not possible to follow the various stories, but rather than an audience shouldn't be expected to work quite so hard for so little a payoff. It's a great idea that fall short in the area of execution.

:::back to top

: : : MOVIE
   
   
   
   
   
2 / 5
: : : VIDEO
   
   
   
   
   
4.5 / 5
: : : AUDIO
   
   
   
   
   
3 / 5
: : : EXTRAS
   
   
   
   
   
3 / 5
: : : FAMILY FRIENDLY
   
   
   
   
   
0 / 5
Cop Land is very much an adult-themed film. Older teens could watch it, if nothing else for some decent acting performances, but otherwise, keep the kids away.
: : : OVERALL
   
   
   
   
   
3 / 5

-- By Robert Wurth. Copyright © 2004.


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