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Technical Information
Studio:
Dreamworks Home Entertainment
Year of Theatrical Release: 2002
Disc Format: 1
single-sided, Dual Layer
Image Format: Anamorphic
Widescreen
Aspect Ratio: 1.85:1
Region Encoding: 1
Sound Format: Dolby
Digital 5.1, DTS
Running Time: 141
minutes
Director: Steven
Spielberg
Stars: Leonardo
DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie
Blye, Jennifer Garner
MPAA Rating: PG-13
Disc Supplements:
- Catch Me If You Can: Behind the Camera featurette
- Cast Me If You Can: The Casting of the Film featurette
- Scoring Catch Me If You Can featurette
- Frank Abignale: Between Reality and Fiction featurette
- The FBI Perspective featurette
- Catch Me If You Can: In Closing featurette
- Photo gallery
- Production notes
- Cast and Crew biographies
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Frank Abignale Jr. (Leonardo DiCaprio) has
a compulsive habit of pulling the labels off of jars and bottles.
It's almost as though he is subconsciously anonymizing everything
around him. In a way, this typifies the way young Frank lives
his life.
It is the 1960's and Frank is a teenager.
His parents seem happy, but there is an undercurrent of trouble.
Frank's father is having troubles with the IRS and then one
day Frank comes him to find his mother with another man. The
next thing he knows, his parents are getting divorced and Frank
is asked to choose which parent he wants to live with. This
is too much for him and he runs.
The trouble is, Frank is still just a kid.
He has no job, no money and he's running the streets of New
York. Desperate, he does the only thing he can think of and
begins to write bad checks. And then one of those life changing
events happens. Frank watches an airline crew emerge from a
taxi and enter a hotel. He sees how, based solely on the uniforms
they wear, the group is treated with respect and courtesy wherever
they go.
Recalling a time earlier when he impersonated
a teacher, Frank decides to become a pilot. He scams his way
into a pilot's uniform and begins flying around the country
for free, never actually piloting a plane. He also forges his
own pay checks and cashes them around the world.
To call Frank Abignale a prolific check forger
would be an understatement on the same level as calling the
Mississippi river a little stream. In his career, Frank manages
to swipe literally millions of dollars, making him one of the
most notorious bank robbers in history. More than that, he manages
to convincingly pass himself off not only as an airline pilot,
but also as a teacher, a doctor and a lawyer. Frank even managed
to pass the Louisiana Bar Exam.
But even more strange is what happens to Frank
after he is caught. For those not familiar with Frank's story,
I won't spoil the end here, but suffice it to say that it's
an ending that is perfectly suited to his illustrious career.
Frank is eventually caught by FBI agent Carl
Hanratty (Tom Hanks). In many ways, Hanratty fills the father
role when Frank's relationship with his real father spirals
away. Hanratty grudgingly begins to respect Frank after he is
fooled by the boy when they first meet. Suddenly, the chase
becomes an obsession. Frank leads a lonely life because he is
a criminal, but Hanratty's loneliness stems from his unrelenting
chase. In many ways, the two men seem to exist only for each
other. When Frank is alone on Christmas Eve, the only person
he can think to call is Hanratty.
Catch Me If You Can is a very different film
from Steven Spielberg's last couple of efforts (A.I and Minority
Report). For one thing, this film is much more lighthearted
than anything he's done in recent years. And yet, there is still
the Spielberg touch, both in visual style and characterization.
The film is bursting from the seams with characters, and yet
each is given a moment to shine. Certainly, the main players
have their moments (one of my favorites is when Hanratty first
tries to arrest Frank -- when he shows his credentials to a
maid, he accidentally displays them backwards), but even the
smaller characters are humanized. Yes, the film is based upon
a true story, but more than that, it feels real.
I have to say that I was refreshed by this
film. We live in a time when Hollywood desperately wants to
be taken seriously, when every film must either by significantly
poignant or an over-the-top spectacle. Here, however, is a film
that is content to simply be a fun experience. There are no
pretenses, no hidden messages and the result is just pure entertainment.
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top |
Disc one of this set contains only
the film, so every bit of possible room was available for the sound
and picture presentation. This choice pays off as Catch Me If You
Can is splendid to watch. The film was shot in a manner that enhances
the 1960's timeframe, with very oversaturated colors, high contrasts
and even some interesting and playful lighting effects. The results
are images that are intentionally not always perfect. Rest assured
that instances of grain, or of whites seeming to wash out the frame
all appear exactly as they should.
The overall contrasts, colors and
black levels are nearly perfect, with the vibrancy and sharpness
of the picture lending a very three dimensional quality to the image.
I couldn't find any instances of compression problems and only very
minimal edge enhancements.
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The sound is offered up in both
DTS and Dolby Digital flavors in order to suit your audio tastes.
Whichever way you go, you'll find a very tight, clean sound mix.
While the level of action in the film might suggest a more subdued
sound mix, don't be fooled: there are plenty of subtle, but very
present surround elements here.
First off, there is the delightful
John Williams score. Williams always manages to deliver a solid
soundtrack, but he outdoes himself here. This may not be as grand
as his most famous pieces, but the music sets the perfect tone for
the film and it sounds absolutely wonderful on this disc.
The dialog is always clear and rooted
to the screen and the sound stage is suitably immersive. The dynamic
range seems good, with elements of deep bass and crystaline highs.
Overall, this is a good, solid mix.
:::back to top |
Once again, we are offered up a
Steven Spielberg film with no commentary from the director. In fact,
there is no commentary at all. However, this presentation does give
us an entire disc full of extras.
Almost everything contained on disc
two is in the form of featurettes. There are six featurette sections
in all, with some of these have several sub-features.
To start with is "Catch
Me If You Can": Behind The Camera. This one runs almost
20 minutes and opens with the first day of filming, with Spielberg
offering up a toast to the cast and crew. Many aspects of the pre-production,
script revisions, casting and location filming is covered here and
plenty of cast and crew interviews are offered up.
Next is Cast Me If You Can:
The Casting of the Film and this segment is broken up into
sections for each of the main players. The feature runs about a
half hour and does a nice job of allowing each actor to tell their
story of how they came to the film. One of the interesting moments
in this section is a story Steven Spielberg tells of how he got
an autograph from Leonardo DiCaprio for his daughter. This is a
fun moment because I think a lot of people just take for granted
that all of the stars know each other. In reality, many in Hollywood
are just as much fans of each other as the rest of us are of them.
Scoring "Catch Me If
You Can" is a nice little 6 minute segment about the
musical choices in the film. John Williams was obviously excited
about this film as it was an opportunity to return to his jazz roots.
Perhaps the most interesting of the
featurettes is Frank Abignale: Between Reality and Fiction.
Again, this section is broken up into smaller, bite-sized portions
and combined runs about 20 minutes. Just from the short time we
get to spend with the real Frank, it is obvious to see how he could
have pulled off such fantastic scams. He is a very charming and
charismatic fellow and where he managed to take his life after the
events in this film is almost more amazing than his criminal acts.
To think that this guy is responsible for the design of checks,
drivers licenses and even money is simply astonishing.
The FBI Perspective
is about 7 minutes and talk about the efforts made to create accuracy
in the way the criminal investigation was portrayed in the film.
Finally, we have "Catch
Me If You Can": In Closing is simply a short 4 minute
pat-on-the-back segment.
Also included on the disc is an archive
section that features a photo gallery, cast
and crew information and production notes.
Conspicuously missing from the special
features are a theatrical trailer and deleted scenes.
While the material presented is entertaining
and certainly lengthy (all told running for nearly an hour and a
half), it still left me wanting for more. There are only so many
cast and crew interviews one can withstand before it becomes monotonous,
and something different would have served well to break things up
a little. Still this isn't a total loss in terms of extras and it
does contain some fun and entertaining information.
I also want to make mention of this
sets menu themes. The initial navigation on disc one might seem
a little confusing, but overall, the look of the menus is very stylish
and perfectly suited to the film.
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Steven Spielberg rarely disappoints in his films
(with the exception of A.I.), so I had a feeling going in that I
would enjoy this film. What I didn't expect was such a lighthearted,
good time. Maybe this film won't leave a lasting impression on me,
but no one every said that every film should. It's enough that I
enjoyed myself, it's certainly a film that I could watch again and
I don't have any hesitations in recommending it.
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| There is some sexuality
and some harsh language, but nothing overly explicit. Parental supervision
is certainly recommended for any of your pre-teens, but the teenagers
can handle it without problems. The overall message of the manner
in which Frank eventually turns his life around may be lost on the
younger viewers, but is certainly a message worth hammering home to
them. |
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| -- By Robert Wurth. Copyright
© 2003. |
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