I must be slipping. I had assumed that mountain
climbing thrillers are the only films left that would resort
to opening with a person dangling from a cliff (or in this case,
a dam), with the hero only inches away, yet unable to save her.
Not only does Along Came A Spider, which is decidedly not a
mountain climbing movie, begin this way, but it also follows
it up with the obligatory "Alex, it's been 8 months, when
are you going to forgive yourself?" scene.
My hopes for this film began to fall.
After the opening, which seems more appropriate
for a Stallone or Schwarzenegger film, we settle in for the
real plot. We find ourselves at a boarding school for the sort
of kids that have secret service agents surrounding them --
that is to say, they are the offspring of the rich, powerful
and political. Since the opening scene was such a cliché,
it seems only fitting that we'd be given another one right away.
This takes the form of technology invented for the film that
is given just enough attention to alert the audience that it
will become a critical plot point later on. In this case, we
see the kids chatting with each other through the use of encoded
messages in GIF pictures.
Moving right along, the beloved teacher, Mr.
Soneji (Michael Wincott), turns out to be anything but when
he kidnaps a senator's daughter and viciously strangles a female
faculty member. Later on in the investigation it's implied that
there must some connection between Soneji and the dead woman
because strangulation is an act of passion. After this declaration,
the matter is never brought up again. This sets a trend for
the film of giving us insightful deductions that serve no other
point than to tell us how brilliant our hero is.
Directly after the kidnapping, Soneji calls
up Dr. Alex Cross (Morgan Freeman), a Washington detective and
psychologist famous for several books he's written about criminal
profiling. It seems that Soneji considers the kidnapping a game
and he wants Cross to play.
Cross teams up with Agent Jezzie (Monica Potter),
who was the secret service agent assigned to the kidnapped girl.
They join the investigation at the school, where we learn the
importance of the aforementioned invented technology and we
are hit full in the face with lazy script writing. Rather than
allow Cross any real investigative screentime, he stumbles upon
an impossible internet link that feeds him live video from the
kidnapper's home. This little webcam is so advanced that it
offers Cross film-quality resolution of the label of a prescription
bottle from across the room.
Naturally, this clue and invitation to his
home is something the kidnapper intended Cross to find. You
see, his motive for the crime is not money or revenge or anything
of the like. Instead, Soneji is a fan of the Lindbergh kidnapping
and he intends to top it. While Cross and company are poking
around his home, Soneji has the girl safely stashed away on
his boat. The game is afoot.
By this point, the film is precariously in
danger of tumbling into the absurd. But apparently that wasn't
good enough for the writers, so they give it some healthy pushes.
Cross continues to make intuitive leaps that seem possible only
for someone who has read ahead in the script and the more we
learn about Soneji, the more implausible his motives seem. When
the ransom demand finally comes, there is simply no sense of
urgency left. As if realizing this, the film inserts a ransom
drop off ripped right out of Die Hard With a Vengeance, with
Cross racing around Washington trying to answer the pay phones
on time.
Along Came A Spider is the follow-up
film to Kiss The Girls. The previous effort was known for its
surprise ending, so I guess it was expected that Spider have
a twist as well. The one thing I expect of twist endings, however,
is that they must play fair and not contradict everything that
has come before. I imagine the filmmakers felt pressure to make
this a bigger and better twist than Kiss The Girls. They succeed
in the bigger part, but unfortunately their effort seems contrived
and far too Hollywood -- then again, I suppose that's fitting.
The ending isn't too difficult to guess, but that's simply because
of an understanding of Hollywood cliché rather than any
logic or clues left in the film. Quite simply, the ending is
a blatant cheat.